Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

lord randall

Album Review: Front – Antichrist Militia

After four years and doubling its lineup in size, Finland’s FRONT return with MCD, Antichrist Militia. Still on the Iron Bonehead imprint, still peddling its brand of war-tinged blackthrash, a bit of death sprinkled here and there for taste, Missile shriek string histrionics and an instantly catchy riff & rhythm riot advance onto the battlefield, the title track literally spilling over with bloody ideas come to fruition, riffs imprinting on your memory at first listen, and would’ve stood just fine as an opener without the seemingly obligatory and needless intro, ‘Doom Cult Legion’. After the blatant MOTORHEAD homage ‘Iron Front’, […]

Album Review: Collision – The Final Kill

15 releases in 20 years ain’t that bad of a run for a band of any sort, and while a good many of those were of the Split/EP variety, there’s no doubt the Dutch killing machine that will be remembered as COLLISION ate, drank, and shat grind. The Final Kill is to be the quintet’s swan song, if the press releases are to be believed, but at the end of this 15-minute (17+ minutes on album due to the vinyl-only cover of S.O.D.’s ‘Kill Yourself’) blastfest, you’re left with the feeling that COLLISION wasn’t planning on going out with anything […]

Album Review: Curse Upon A Prayer – Infidel

Much has been made of the fact that Finland’s CURSE UPON A PRAYER have anti-Islamic lyrics, to the point that all other facets of the band are in danger of shuddering under the weight of this supposed gimmickry. Truth is, CUAP has crafted some fairly solid black metal in its short history, and isn’t black metal supposed to be anti-…well, pretty much everything anyway? So let’s get to it. While I was a bit concerned that ‘Call To Prayer’ was going to be a full on intro of the Adhan, I needn’t have been, the foursome unrolling a hazy rug […]

Album Review: Death The Leveller – II

When a band’s first long-player is titled II, two things become starkly clear. One, something has come before – in this case, 2017’s creatively-titled I. And two, that what’s found on DEATH THE LEVELLER’s Cruz Del Sur debut is to be seen as a continuation. And thus, so armed, to Bandcamp I did go, armed with 4 EUR ($4.34 for USsians), and was summarily impressed by the emotion found within I’s four expansive tracks, ‘Gone Forever’ especially showing a band with promise and clearly with its eyes to the future, albeit bleak. Now comes II, and the wailing guitar stunt-doubling […]

Interview: Frayle

Within its short 3-year lifespan, Ohio’s atmospheric metal duo (now turned quintet) FRAYLE has birthed 2 EPs featuring its heady blend of ethereal vocals and towering riffs/rhythms, culminating now in the recently-released debut full-length, 1692. Lord Randall sat down with founding members Gwyn Strang and Sean Bilovecky to time travel back to 1692, and discuss how, though much has changed, much remains the same. BY CHOICE, NOT BLOODInterview with Gwyn Strang and Sean Bilovecky of FRAYLEInterview By: Lord Randall Rebel Extravaganza: Back in 2017 when FRAYLE was birthed, did you already have a plan in mind – an image or […]

Interview: Porta Nigra

PORTA NIGRA emerged from the Rhineland a decade ago sans corpsepaint and battle vests, more apt to be found sipping a glass of wine and perusing the works of Schopenhauer and Baudelaire than LaVey and Crowley. No less degenerate, however, the duo of Gilles de Rais (T.) and O. have moved beyond their early explorations of Fin de siècle, added a member in vocalist Tongue, and delivered Schöpfungswut on this, PORTA NIGRA’s 10th year. Lord Randall sat down with instrumentalist and lyricist T. to discuss… DECADE OF DECADENCEInterview with T. of PORTA NIGRABy: Lord Randall Rebel Extravaganza: In today’s fast-consumption […]

Album Review: Lychgate – Also Sprach Futura

LYCHGATE’s fourth release (and first for Debemur Morti Productions) seems as good a starting point as any for my ears. Having three full-lengths to its name at this point, and with nary a core lineup change since its inception, LYCHGATE should be settled into what it is and what it is not, thereby providing the new listener an experience of a band at its best. Quite frankly, I’m ashamed at myself, as big a fan of ESOTERIC as I am, not realizing the part Greg Chandler plays as a third of this trio, but rest assured, this isn’t some “pet […]

Album Review: Formosa – Danger Zone

With two albums under its belt (2016’s Tight & Sexy and Sorry For Being Sexy from 2018), and promo photos that make FORMOSA look like either stunt doubles for General Zod, Non and Ursa from Superman II or extras from the Blue Oyster scenes in the first Police Academy movie, I cannot bloody wait to hear this shit. ‘Dynamite’ prances out of the gate, positively poppy, BIBLE OF THE DEVIL at half-speed and ¼ the passion, and ‘Masquerade’ fares not much better, FORMOSA revealing itself to be any one of a thousand club bands you can see in any mid-sized […]

Album Review: Invictus – Eden

Subdued and pastoral, the abbreviated intro is less a standard, bland “intro track” than an opening of a door, a passing through of a gate…that is until the rough ‘n’ ragged guitar tone of ‘The Hammer’ crashes down, frayed around the edges, and the better for it, reminiscent of the passion-over-proficiency so prevalent in the garage days of power/thrash. Not that the Bavarians aren’t skilled at their craft. Far from it, in fact, especially when the pace slows down ¾ of the way through to give the solo room to breath. After the Sacred Heart-era DIO influence of ‘Inside Your […]

Album Review: Rosy Finch – Scarlet

I wasn’t quite sure what to expect from ROSY FINCH, as not only has Spain never revealed itself as a hotbed of anything remotely sludge-related, but that I always brace myself for disappointment when a band uses the “s” word but fails to deliver. While technically the band’s third release, we might as well call Scarlet a debut, because when a trio changes out 2/3 of its lineup, it can hardly be called the same band, right? With each song named after a shade of red, the album should be looked at as a singular piece of art, but not […]