Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

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Album Review: Watain – The Agony & Ecstasy Of Watain

It’s funny to me how I still think of WATAIN as a “new” black metal band. With a recorded history longer than a good many of its fans have been alive, countless tours and now seven full-lengths to their credit, it’s not as if the members haven’t put in the work. That the original blackened trinity remains intact well over a decade after formation speaks to the dedication and perseverance if nothing else. But here’s the rub. For myself, WATAIN has just been, largely, there. Lawless Darkness was alright enough, The Wild Hunt tiresome, so I shrugged and stepped away. […]

Album Review: Falls Of Rauros – Keys To A Vanishing Future

Portland, Maine’s FALLS OF RAUROS, since its inception, has been searching. Not to say that the band is confused, haphazard or simply looking for its “sound”, whatever that means. More to the point, the band knows who and what they are after well over a decade of albums, keeping one eye on that path, but another wandering, almost scanning the sides of the way for bits of itself hidden under rocks, in leaf-veins – in places it wouldn’t expect commonality or kinship. FOR’s sixth opens with ‘Clarity’, a pristine, simple pattern quickly underpinned by staccato guitars and drums. While I’d […]

Album Review: WEDROWCY – TULACZE – ZBIEGI – Trzy Siostry [EP]

When you take current and former members of FURIA, GRUZJA and MASSEMORD and hand them computers what could go wrong? With three full-lengths behind this project, Trzy Siostry  is my first exposure to WEDROWCY – TULACZE – ZBIEGI…but it won’t be my last. Hum to undulation, transistors in transit, ‘Pierwsza siostra’ throbs to life, incessant, almost as if we’ve caught the criminals already at work in the bank vault. There’s something very, very ART OF NOISE about what’s going on here at times, early ‘90s Cleopatra Records at others, and sometimes simultaneously. A driving song, one not for sitting still. […]

Album Review: Melt Motif – A White Horse Will Take You Home

‘Sleep’ bubbles to the surface, yet quickly pulses, throbs, a being brought to life and speaking secret language via the sugary, beguiling delivery of Rakel. Underneath, though, the insistent vibration, dream pop in its truest, most literal sense. There’s a strong ‘80s keyboard base here, YAZ and earliest DEPECHE MODE springing to mind, and into ‘Mine’, which even more confirms this kinship, though the members of MELT MOTIF may not’ve even been born then. Jagged guitars rise from the cave floor, stalagmites formed from the dripping sweet honeyed vocals, adding another color to the sonic palette thus far. ‘Everything Will […]

Album Review: Deathspell Omega – The Long Defeat

Enshrouded in its own seemingly self-enfolded cloak of mystery, France’s DEATHSPELL OMEGA with 2004’s Si Monvmentvm Reqvires, Circvmspice fully embraced the Satanic theology and esotericism it had been toying with previously, both starting the band on a new path and spawning legions of wishful carbon copies in the process. After six years without a full-length, DO returned in 2016, and has kept to its every third-year cycle since, of which The Long Defeat is the latest. Two minutes into opener ‘Enantiodromia’ and it still sounds as if the band’s searching for a song somewhere in the ether; not that there’s […]

Album Review: Temple Of Void – Summoning The Slayer

Now four albums deep into its nearly ten-year existence, Michigan’s TEMPLE OF VOID returns with Summoning The Slayer. Lumbering and lurking, ‘Behind The Eye’ stalks forth from shadow, basic, almost Cro-Magnon in its main chord progression, but “basic” in the style of BOLT THROWER and early BENEDICTION, straightforward. No muss, no fuss, just head-down and advancing destruction. ‘Deathtouch’ makes no secret of its melody, oppressively forlorn in the verses ala the burgeoning days of The Peaceville Three, and – as their forefathers – with a chorus that confirms that not only can such a sub-genre as death/doom exist, but can […]

Album Review: Likheim – Alt Skal Svinne Hen… [EP]

Alt Skal Svinne Hen… may be LIKHEIM’s first shot across the bow when it comes to black metal, but the project’s been incubating for around two decades, so let’s strip all excuses such as “It’s the first recording” and “Pretty good try” away, shall we? Helmsman and vocalist Gretn has had plenty of time to craft this EP into what he wishes, to mold it to his vision of perfect form, so no one to laud or blame but himself should things go awry. The title track reeks with the stench of mid/late ‘90s GORGOROTH, Gretn’s vocals reminiscent of Gaahl’s […]

Album Review: Woorms – Fatalismo

Comin’ in hot after last year’s sprawling and utterly unanticipated split with THE GRASSHOPPER LIES HEAVY – where WOORMS’ 20+-minute ‘Aureola Borealis’ clocked in at half the playing time of the band’s albums – the Louisiana sludge dukes return post-haste with Fatalismo. Kicking up dust from the start, an even more rough and ready early CLUTCH, but mixed with the down-home dirt of MULE and BRUTAL JUICE, ‘Seizure Salad’ triumphs while ‘Quiet As Isaac’ is less upfront, more subtle. Yes, ladies and germs, the syrup is thick and sticky sweet here, basslines coated in molasses and honeysuckle vines, the groove […]

Album Review: Sacrilega – The Arcana Spear

When you tell me there’s a new black metal band’s debut clogging up my inbox, I can promise you I’m probably not as thrilled as you’re acting as if I should be. Now, don’t misunderstand; I love black metal as a genre, it’s just that I’m also largely content to move within the realms of the doomed, so it takes a bit to pique my interest. Now, tell me this same band has within its ranks the mighty Paulus Kressman from the Canadian prairie’s RITES OF THY DEGRINGOLADE, and I’m at least giving SACRILEGA a chance. Far from a one-man […]

Album Review: Demiricous – Chaotic Lethal

Returning from well over a decade of silence isn’t easy for any band, much less one that never really “made it” in the first place. After two well-received albums of NWOAHM-styled death-influenced blue collar thrash on Metal Blade in the mid-‘00s, DEMIRICOUS kind of just…poof!…faded. So, hearing of their return, I had to at least see if the years had been kind. Chaotic Lethal begins with ‘Unconditional Hate’, a rumbling, glitchy (thankfully abbreviated) intro with sparse piano in the background before absolutely annihilating, leads squealing like Deliverance and Lord Of The Flies had a baby and it was Ben Parrish […]