Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

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Album Review: Bizarrekult – Vi Overlevde

Sixteen years after its initial formation, it’s BIZARREKULT that I’m trusting to give me a break, however short, from this ambient / instrumental mode I’ve been in of late. Having never heard a note of its music, I’m putting a lot of faith in a band who’s only now releasing its debut full-length. And thus… Of course an intro, of course of the ambient sort I’d just mentioned trying to get a respite from, but still different enough from what I’ve been hearing that I’m not perturbed. Mercifully, ‘For 1000 Ar Siden’ arrives, the first thing leaping out of the […]

Album Review: Screamachine – Screamachine

I don’t doubt that this Italian band’s heart is in the right place, but it takes more than good intentions to create worthy metal. It takes good songwriting. The band claims to be doing classic pure metal in the vein of JUDAS PRIEST, ACCEPT, HELLOWEEN, etc. but they are just not on that level. The songs here simply do not stay with you the way that tunes from those legendary bands do, and that makes their debut record a rather forgettable experience. In the first half of the album, a certain PRIEST-ish tone is detectable. The plodding crunch of ACCEPT […]

Album Review: Culted – Nous

Cults are always problematic for me, largely because what – on the surface – seems a calling to “abandon false religions” and “leave society behind” almost invariably becomes religious in practice and elitist, societal, “hive mind” in psyche by the time the Kool-Aid starts getting passed around. Especially within the realms of our beloved “extreme” music, the term “cult” gets thrown around with the same abandon my generation used to declare things “radical”, “bitchin’”, or “hella”. But I’ll leave this for another day. CULTED has been at it a little over a decade now, and is one of the ever […]

Album Review: Wheel – Preserved In Time

It’s pretty obvious that we will not be getting another album from SOLITUDE AETURNUS, and who knows when the next CANDLEMASS will show up? Well, lovers of epic doom metal at the highest level will no longer need to starve themselves, because the mighty WHEEL has rolled in from Germany. This is a flawless example of melodic, epic and sorrowful doom that is totally in the mode of the first classic albums from SOLITUDE AETURNUS. The sad feeling, the clear and piercing vocals, the massive crushing riffs are all here, and they are used in just the right proportion…a trick […]

Album Review: Swampbeast – Seven Evils Spawned Of Seven Heads

In a different era where not every single band that wants to get signed does, where quantity doesn’t crush quality every single day of the week, SWAMPBEAST would be hot news. They are a rough and brutal death metal band that understands what it takes to make strong and honest DM. Unfortunately, they are in the third decade of the 21st century, where every fucking day brings an onslaught of “product”. Only the very, very best can fight through the flack to make a true impression. What I like about this record is the great natural sound to it. The […]

Album Review: Fossilization – He Whose Name Was Long Forgotten [EP]

With a lineup composed of two members of Brazilian sludge/doom/death behemoth JUPITERIAN, namely vocalist/instrumentalist V., and P. on the drums. Now, I’ve recently gone on record with my opinion (aka The Whole Of The Law, Handed Down From The Mountain, Writ On Stone By Lightning) on members of one band forming a “side project” that basically mirrors the other (aka Thou Shalt Not), so I won’t bore you again – at least for now. Blessedly, FOSSILIZATION is noticeably different on its face than its members other effort, being more death than doom in overall scope, while still retaining a bit […]

Album Review: Harakiri For The Sky – Maere

Austrian duo HARAKIRI FOR THE SKY’s been at it for a decade as of 2021, and it shows. Over this time, Messrs. M.S. (Instruments) and J.J. (Vocals) crafted a space for themselves with their first three albums, moving – I feel – truly into something of their own with 2018’s Arson, a true benchmark, which could’ve seen the band take any one of a few divergent paths, and do so credibly, turning HFTS into something “other” than it was at its birthing. From the opening tones of ‘I, Pallbearer’, one can feel something of the cinematic, the first minute or […]

Album Review: Noisepoetnobody – Insanity Mirror

Unease. Trepidation. And yet, an anticipation that anything not only could but should happen in the catacombs created beneath the cassette manipulation of Insanity Mirror’s opening ‘Can’t See It Now’. NOISEPOETNOBODY has been at it for the far side of a decade and a half, creating what amounts to field recordings, manipulating sonic collages, and surrounding, well, ambience of all contrivances to craft what he does, as evidenced in ‘Bright Light Box’, where your ears – on the right system, and in the right headspace – can positively hear the shimmering form before you rotating in the air, waxing and […]

Album Review: Sahara – The Curse [EP]

Including Gabriel and Ivan (bass, drums respectively) of Argentinian stoner doom hybrid MEPHISTOFELES, SAHARA is, again, a trio, and…yet again…plays stoner doom. Seriously, things are so incestuous that a 2017 split paired the two. The sliver of hope here, is that the latter is the brainchild of founding guitarist/vocalist Martin Ludi, who must’ve heard something he liked, and drafted the rhythm section to signal his return after SAHARA’s 2019 “involuntary” disbandment. I’m going to go ahead and just say that, while Regain Records may be trying to “keep things cult” with this Limited Edition run of 150 cassettes, the cover […]

Album Review: Shadow People – Batom Rouge / Washing In Soap Opera

There are few terms that spark intrigue in my life, but you throw a mixture such as “sludge punk” my way, and my ears at least have to hear what the fuss is about. The “fuss”, in this case, is Louisiana’s SHADOW PEOPLE. Collecting its two EPS released last year, Batom Rouge / Washing In Soap Opera, ‘Six Weeks’ kicks off the proceedings, all fuzz, and drunken stumbling, the first minute coming off like what happens live when the band isn’t sure what song they were going to play next, and I love that feeling of spontaneity. Once it gets […]