Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

lord randall

Album Reviews

Album Review: The Passing – The Passing [EP]

We have Viking metal bands who call the fjord-hewn shores of Croatia home, so why not a band of Los Angeles miscreants dressing up a blend of Scandinavian extremity for the ’20s? That’s what THE PASSING is on about, and it works. The self-titled blister-fest clocks in at just over 15 minutes, the definition of a short, sharp shock. ‘Condemned’ recalls d-beat OGs SKITSYSTEM in its hysterical forward momentum, while ‘Please Him’ is even more unhinged in that glorious kangpunk, MOB 47 of ways. If you’re looking for second to breathe, it’s not to be found here, that’s for sure, […]

Album Reviews

Album Review: Falconer – From A Dying Ember

In the interest of full disclosure, I’ve been into FALCONER since before there was a FALCONER. With the ending of MITHOTYN, I was glad to see founding guitarist Stefan Weinerhall moving on in any capacity, and FALCONER fit the bill, which now comes full circle in the band’s final release. While 2014’s Black Moon Rising was undoubtedly FALCONER at its heaviest, most gritty, I wasn’t expecting the lackluster ‘Kings And Queens’, which opens From A Dying Ember. Musically, the band still knows how to write a tune, but Mathias just sounds tired. Not just a bit weary; dog-ass-dragging knackered and, […]

Album Reviews

Album Review: Green Carnation – Leaves Of Yesteryear

While 2006’s EP, Acoustic Verses, was phenomenal, and would have been a worthy finale to a career of majestic highs and Hell-deep lows, something just didn’t seem quite finished. I, for one, was affected more than I thought I’d be when GREEN CARNATION announced its end only 2 years later. In 2014, the band teased live appearances, delivering on the promise to great acclaim, but alas, no new music was offered. And that, my friends and fiends, is why Leaves Of Yesteryear is such a special album. Comprised of largely the same lineup responsible for 2003’s A Blessing In Disguise […]

Interviews

Interview: Dark Forest

True metal quartet, DARK FOREST, recently released Oak, Ash & Thorn, an album as imbued with the band’s native British perspective as with the history of the land of their birth. Lord Randall recently sat down with founding songwriter/guitarist Christian Horton to discuss… TO EMBRACE DESTINYInterview with Christian Horton of DARK FORESTInterview By: Lord Randall Rebel Extravaganza: Back at the start (or your start with the band), did you have a vision of what you wanted DARK FOREST to become over time, and how does what it is today look back on what it was? Christian Horton: In the very […]

Album Reviews

Album Review: Foetal Juice – Gluttony

Not many bands take over a decade to release their debut album. That’s not to say Manchester’s FOETAL JUICE has been sitting on its collective arse since 2005, either, though, having filled the time with a demo, two EPs, three split releases, and as many singles. And now, a “scant” four years after Masters Of Absurdity comes Gluttony. At first notice, it seems the quartet has left behind much of the parody/juvenile humor element, or at least the twisting of film/song title/band names for its output, which could be chalked up to either input of the band’s new vocalist and […]

Album Reviews

Album Review: Noctu – Gelidae Mortis Imago

The sound of dripping, as of water from a stalactite in a long-forgotten cave begins Gelidae Mortis Imago, ‘Suicidio al chiaro di luna’ acting less as a standard “intro”, carrying its own ambience. Melancholy keys, evoking an air of the classical and befitting the genre in which NOCTU operates, lead into ‘Fitte Tenebrae (Le radici dell’ inferno), which oppresses and shrouds as it was meant to, multi-tracked and oppressive choral vocals perverting the liturgical. It’s here that we first realize what NOCTU exhales are more “patterns” than “songs”. If one is looking for verse/chorus/verse – or anything “standard”, it can […]

Interviews

Interview: SAMMATH

Black metal death engine, SAMMATH, has been crushing eardrums under its tank treads for over a quarter century, yet sixth full-length, Across The Rhine Is Only Death shows no second of fatigue, no moment of weariness or unreliability from founder J. Kruitwagen & co. Normally, we keep current as possible with interviews, but our recent chat was too good not to include here. Lord Randall armors up… THE STRENGTH OF KRUPP STAHL Interview with J. Kruitwagen of SAMMATH Interview By: Lord Randall Rebel Extravaganza: After putting out your first 4 albums on a fairly regular schedule, it’s been close to […]

Album Reviews

Album Review: Cadaver – D. G. A. F.

Norway’s CADAVER has always been, is, and looks to forever be Neddo. It also seems to foul the ears so sporadically as to almost be forgotten in the interim, despite cranking out some morbidly grotesque death under the name CADAVER. And so, 16 years after the flesh-covered wrecking ball that was Necrosis, Neddo surfaces again, journeyman skinbasher Dirk Verbeuren behind the kit, to deliver D. G. A. F. At just over 10 minutes long, the duo has neither the time (nor thankfully) the inclination to fuck around, Jeff Walker lending his rasp to the title track. Luddite as all Hell, […]

Album Reviews

Album Review: Trivium – What The Dead Men Say

I don’t know what it was about TRIVIUM’s debut Ember To Inferno that I dug back in ’03, but clearly, it didn’t take long for Heafy and the boys to monkeywrench what was already a barely roadworthy machine, becoming a pastiche of even themselves only two years later, and firing off an album that would’ve killed a less merch-driven band only one year after that with The Crusade. It’s nearly 15 years later now, and the musical climate has changed. TRIVIUM hasn’t, though, and album #9 flails and falters from the start, twee guitar squeal with all the rage of […]

Album Reviews

Album Review: Khemmis – Doomed Heavy Metal

KHEMMIS’ 2018 release proved my Third Album Theory on so many levels. At some point, I’ll have it up on this site, but suffice it to say that it wasn’t only my ears which heard something special in the Colorado quartet that – while it might’ve been there before – came shining through within Desolation. It’s really no surprise that the first tune we’d hear from the band after its most blatantly metal album was a song of the stature of ‘Rainbow In The Dark’. What is impressive, however, is that KHEMMIS pulls it off with nary a hitch nor […]

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