Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

lord randall

Album Review: Wombbath – Tales Of Madness

When I spoke to WOMBBATH earlier in 2020 regarding their newest Choirs Of The Fallen release, the members hinted at re-recording “a song or two” (mostly from the admittedly flushable Lavatory EP days), because of their confidence in the current lineup being able to beef up the material. Now, roughly 9 months later, we have Tales Of Madness, a compilation of 6 (count ‘em!) reworked songs spanning the band’s career, as well as a couple new bits to let us know what they’ve been up to since Choirs… Kicking off with ¾ of the Brutal Mights demo, ‘Tales From The […]

Album Review: Mongrel’s Cross – Arcana, Scrying And Revelation

Now, on its all-important third album, the almighty Proscriptor McGovern (ex-EQUIMANTHORN, ex-MELECHESH, ex-a-little-band-you-might-have-heard-of-called-ABSU) joins the advancing force of Brisbane’s MONGREL’S CROSS, a coup for any band. But the inclusion of such a “name” player with such a respected history doesn’t mean crap if the output now isn’t quality, does it? Majestickally leading off with ‘Suffer The Witch To Live’, the beast transforms from militant march to blurred bestial bile flung about the innards of the listener’s cranium, the aforementioned vocalist in as fine a form as ever, but that’s not even the most impressive thing. What’s truly of note is […]

Album Review: Pallbearer – Forgotten Days

On one side of the coin, I’ve never just never “gotten” Arkansas’ PALLBEARER. They’re a doom/doom-influenced band, which should be a selling point for me, they’re from the Southern US, which has its own special brand of sorrow and weight, and perspective on things, which should be another. But I just can’t. After a couple “good enough” albums on Profound Lore, Heartless arrived on newfound home Nuclear Blast, and the band became a buzzword through no fault of their own. On the other side, Forgotten Days purports to be an album dealing with the theme of family, something I myself […]

Album Review: Serpents Of Secrecy – Ave Vindicta

Formed by members current and past of the mighty SIXTY WATT SHAMAN, KING GIANT and more, Baltimore’s SERPENTS OF SECRECY has Maryland Doom in its rattling bones from the start, the fuzzed out bass of dear, departed bassist Rev. Jim Forrester leading the slow and low charge in the title track. Fluid yet fang’ed, elements of bands as varied as SOLACE and FOGHAT (who were actually a pretty heavy live band) show up in ‘Heel Turn’, which carries on through the syrupy sludge of ‘Time Crushes All’, the early Cornell tinting to vocalist Mark Lorenzo’s delivery dripping over the tune […]

Album Review: Mortiferum / Hyperdontia – Split 7″

I use the phrase “short, sharp shock” a fair amount. I try not to, but I’ll admit to it popping up more than I’d like. Besides, it doesn’t really fit this release. Two bands, two songs. Get in, get rabid, get out. Back in the day, those Maxell or TDK 60-90 minute cassettes we’d get in the mail from writing addresses in the back of metal magazines to trade bands and hear music were treasure troves. Yeah, of course there were some clunkers, but more often than not, you’d come away with at least a handful of new (to you) […]

Album Review: Starcrazy – Played For Suckers [EP]

Sydney, Australia’s STARCRAZY make their play for the spotlight early next year with this EP, Played For Suckers but, what with the promo sheet espousing such legendary influences as HANOI ROCKS, BOWIE and MOTHER LOVE BONE, I felt we were setting the bar a bit high, perhaps. The just shy of 2-minutes opener, ‘Rise’, wasn’t that great of an idea as a lead-off, as it’s basically an instrumental build to what would, in other times, have been that moment when the backlit stage bathes ‘n’ blinds legions of die-hard fans, the band kicking off their show in grand style. As […]

Album Review: Mors Principium Est – Seven

I’ve always had a soft spot for melodic death metal, especially that of the Scandinavian/Teutonic variety, so Finland’s MORS PRINCIPIUM EST fit easily into my listening choices when NIGHT IN GALES took a hiatus for the ‘10s, when we didn’t know if AT THE GATES was going to be a thing anymore, and when IN FLAMES disappeared up its own ass starting with 1999’s Colony, incidentally the year of MPE’s founding. Now on its appropriately-titled 7th album, the duo has largely been reliable, not having released an outright clunker during its two decades. Certainly, there are some standouts as well […]

Album Review: Hatebreed – Weight Of The False Self

I just can’t get behind Jamey Jasta & co. One could make the case that HATEBREED’s frontman/heart and soul of the band has done much for hardcore, as far as bringing it into the spotlight. Whoever said that’s where hardcore wanted to be is my thought. Anyway, the band’s never impressed me, but I can’t seem to help giving each new album a listen. Not sure exactly what I’m hoping for, but I know I haven’t found it yet. And so it remains with Weight Of The False Self, HATEBREED’s eighth. I couldn’t help but wince at the rhyme of […]

Album Review: Zebadiah Crowe – The Cloven Hand [EP]

Remember when bands like DIE KRUPPS, the mighty GODFLESH and PITCH SHIFTER used to take on remixes of straightforward metal bands and mangle the songs, turning them inside out, so that what came forth from your speakers was nothing whatsoever like the original? It was liberating to hear, at least to these ears. But when those aforementioned would allow the scalpel to be taken to their own tracks, all bets were off, and what often happened was no less than a dissection and a piecing back together, an electronic Frankenstein’s monster with a result no less bleak than Shelley’s doomed […]

Album Review: White Dog – White Dog

There’s really no reason at all why I shouldn’t be frothing at the mouth over Austin, TX pack WHITE DOG. I mean they tick ALL the boxes. From the Southern US, named after an animal, twin guitar harmonies (scratch that – “guitarmonies”, as the band say), guitars, long hair, hats, AND the quintet looks like 5/6 of the ALLMAN BROTHERS BAND or the classic lineup of MOLLY HATCHET shat them out their ass in the promo photos. So yeah, absolutely no reason. Oh, and and they’re on Rise Above, one of the most reliable labels going since it began. But […]