Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

Dr. Abner Mality

Album Review: Cauldron Black Ram – Slaver

The piratical goons of CAULDRON BLACK RAM are one weird bunch, and that’s exactly why I love this oddball Aussie band. They certainly aren’t prolific (Slaver is their first record in 6 years), and perhaps that also helps them to stand out. They have brewed up another grimy, greasy and rancid potion of extreme metal carnage that defies classification. Slaver may be even rawer and filthier in sound than their previous record Stalagmire, which is no mean feat. The music is an unpredictable assault of strange riffing that ranges from sludgy doom to mid paced chug to swaggering fast (but […]

Album Review: Winterfylleth – The Reckoning Dawn

It’s been six long years since WINTERFYLLETH released an all out black metal album. 2018 saw an acoustic/folk based effort entitled The Hallowing Of Heirdom. The result of this time off has been nothing less than a complete reinvigoration of the band; The Reckoning Dawn is the best album WINTERFYLLETH has ever done. This is blurry, high speed black metal at its absolute peak. The pace is relentless, but the songs are full of emotion and majesty. Listening to this album, I experienced shades of rage, sadness, defiance and pride. The riffing reaches back to the dawn times of Albion […]

Album Review: Tombs – Monarchy Of Shadows

TOMBS is for sure one of the most reliable bands in American black metal. I haven’t heard a bad album by them yet, and the latest, Monarchy Of Shadows, stands as one of their best. They are laser focused here, and don’t mess around for a second. It’s a compact album of six songs, but you get plenty of bang for the buck. I like how TOMBS subtly shift the approach on each song, bringing in slightly different influences, but yet the album is a unified whole. The title track starts things off with gloomy synth until hard riffs come […]

Album Review: Dirt Woman – The Glass Cliff

Maryland’s DIRT WOMAN is the world’s first WINDHAND tribute band. The members probably won’t like hearing that, but there it is. One listen to The Glass Cliff, and chances are, you’ll agree. Now, that does not necessarily mean this is a “bad” album. It’s actually pretty good, if you like super-gooey sludge riffs mixed with haunting female vocals. It’s just really, really derivative. Lots of long, oozing jams here, with only 5 songs, but about an hour of run time. The minute you hear the guitar tone on ‘Lady Of The Dunes’, you know you’re in for one super-heavy ride […]

Album Review: Necrowretch – The Ones From Hell

This French band has been going at it for a good long stretch now, tossing out discs of evil death metal every few years to remind us they’re still around. They put me in a peculiar position, because they are definitely heavy enough, fast enough and diabolical enough, but they just don’t seem to make a big impression on me. The Ones From Hell is more of the same. These guys don’t have the aura of being bandwagon-jumpers, their commitment to black and death metal seems sincere. Yet it doesn’t register in any major way. They are influenced by classic […]

Album Review: Smoulder – Dream Quest Ends

The Good Doctor must have been under a sleeping enchantment when SMOULDER’s debut Times Of Obscene Evil And Wild Daring hit the racks last year. How I could have missed an album with Michael Whelan art on the cover can only be explained by sorcery. Now comes the Canadian band’s EP, entitled Dream Quest Ends, which gives me a second chance. Epic sword and sorcery metal with a very doom-laden aura and ringing female vocals is the most succinct way to describe Dream Quest Ends. Imagine MANILLA ROAD played at CANDLEMASS velocity and you’ve hit on the SMOULDER template. And […]

Album Review: Goden – Beyond Darkness

True devotees of underground heaviness and grimness will nod their heads at the mention of the band WINTER, whose brief recording career had a disproportionate impact on the metal scene. They created one of the doomiest, ugliest and most massive sounds ever heard on their landmark 1989 Into Darkness release. That sound has haunted the cobwebbed corners of the underground for 30 years now, though WINTER itself ceased to exist long ago. GODEN (named after a track on Into Darkness) are about as close to WINTER as you’re going to get in 2020 and in fact have former WINTER member […]

Album Review: God Dethroned – Illuminati

GOD DETHRONED has been one of my “go to” bands since the early ’90s, as well as probably the top extreme metal act from Holland. That’s why it pains me to say that their latest, Illuminati, is a very average release, and one that lacks the usual fire and fury we can expect from Henri Sattler and whoever his current cohorts are. It’s not that the band have radically changed their style here, or that this lacks technical skill and ability. Something just seems off about it. It is generally slower than what we’ve been getting from GOD DETHRONED and […]

Album Review: XPUS – In Umbra Mortis Sedent

XPUS are a mysterious new death metal force from Italy and they are well worth checking out if you like your DM gloomy, morbid and sounding like it just erupted from a rotten crypt. Although not without a flaw or two, these evil revenants perform the amazing feat of sounding fairly original while evoking the spirit of many early progenitors of death. If you prefer chunky, oozing riffs with the hint of doom, XPUS are your boys. Even their faster moments (and they are capable of DEICIDE level speed) have that essential feeling of sickness and sorrow. There are touches […]

Album Review: Thy Catafalque – Naiv

In almost every conceivable case, when I read a line in a band’s PR sheet that says their current album is “their least metal ever”, the hackles on my neck go up and I fear the worst. But not with THY CATAFALQUE, because I know Tamas Katai is in the driver’s seat. He knows where he’s going, he knows how to drive and his grip on the wheel is firm. With THY CATAFALQUE, Katai has consistently proven he’s the rarest of birds in today’s music scene…an honest to God composer. There is something about the way this man writes music […]