Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

2024

Album Review – MÖRK GRYNING – Fasornas Tid

MÖRK GRYNING might’ve missed the first shrieks of second wave black metal in its native Scandinavia but, since 1995’s Tusen ảr gått…, founding members Goth Gorgon and Draakh Kimera and cohorts spread their shadows of melodic blackness over a handful of impressively solid albums until Mörk gryning of 2005. This would spell what most of us though was the end – and credit and hails to the founder(s) for halting the band when they felt their passion waning – yet metal in any form be a hard beast to tame, and thus was Hinsides Vrede born as the world writhed […]

Album Review: Ian Blurton’s Future Now – Crimes Of The City

IAN BLURTON’S FUTURE NOW may have a pretty awkward name but they’ve managed to pull off something many others have tried and failed at; creating a genuine classic hard rock sound in the vein of the ’70s. Crimes Of The City is one of the best attempts at this that I’ve heard in a long time. The songwriting here is just so effortless and natural. All the tracks are in the three to four minute window that much classic rock dwells in. Not a wasted breath or riff is apparent here. Who does FUTURE NOW take inspiration from? Well, I […]

Album Review: Wuldorgast – Cold Light

‘Obscured In Shadows’ throws its head back in a magisterial and mighty howl from the start, ascending and descending riff patterns, a definite early ‘00s DARKTHRONE vibe to both the tempo and Feral Spirit’s (henceforth F.S.) vocal proclamations not unlike Fenriz of the aforementioned, who shan’t be again, because there’s at once something fresh about what WULDORGAST is bringing this early on in Cold Light. Neither blanching at the idea of stretching a song to just under the breaking point as in the opener, nor averse to the “get in, do damage, get out” aesthetic, ‘Natural Life Is Eternal Battle’ […]

Album Review: The Brood – For The Dark

Come to think, it’s really not all that rare for a punk/hardcore band to start up, then spend years playing in local dives, squats, basements and VFW halls before deciding to crank out an actual album. I’d even add that, as a genre, the type of punked up hardcore THE BROOD is on about is more geared to a live setting, where the band and the crowd become one heaving, moshing organism than something you’d toss onto a record player. But that’s not keeping the Philadelphia crew from delivering with For The Dark. ‘Sinkhole’ is exactly that from the start, […]

Album Review: Barren – The Hanged Man

New Jersey’s BARREN arrives with its debut, The Hanged Man. ‘Unheard’ begins with the all-too-common sound of the church bell, winds blowing in the darkness, and a wail over a plain – but still somehow interesting – chord structure. There’s a feeling of an extended prelude here, though, as a true song never takes shape. Vocalist/guitarist/bassist Andrew Campbell does seem to be desirous of some sort of purging, and his delivery is understandable, while carrying the burden of desperation. There’s something of the Akron – Cleveland, OH sound in ‘Death Interrupted’, bands like ULTRALORD and FISTULA coming to mind in […]

Album Review: Bedsore – Dreaming The Strife For Love

Aside from a split album with Japan’s MORTAL INCANTATION, 2020’s slow grower, Hypnagogic Hallucinations was the last we’d heard from BEDSORE… until now. When I refer to the debut as a “slow grower”, the mistake would be to view that as a bad thing, especially in this case. Neither one to chop the tail off a song unnecessarily to meet some self-enforced track length, nor to draw out a piece to the snapping point for the same reason, there was a lot going on in BEDSORE, even from the start. And thus, it’s no real surprise that, if anything, the […]

NECRONOMICON EX MORTIS – The Mother Of Death [EP]

Churning out two EPs last year and as many this year, adding up to the playing time of pretty much a single album, Chicagoans NECRONOMICON EX MORTIS return with The Mother Of Death. ‘Trick Or Treat’ leads, a beefed up RUMPLESTILSKIN GRINDER blended with ACID WITCH vocals, obsession with ‘70s/’80s horror flicks in full force. While the drums could stand a bit more heft in the mix, and the guitars tend to get buried in the bass-heavy mix, ‘Infestation’ and the title track are punchy and chock fulla riffs. The ambient ‘Itchy Tasty’ is surprisingly worthwhile, and ‘Salem’s Lot’ conjures […]

Album Review: Goatlord Corp. – Temple Of Serpent Whores

GOATLORD CORP. arrives, kicking open the rust-encrusted gate to Temple Of Serpent Whores with ‘Slave Disciplin’, a confidently striding riff soon devolving into the equivalent of a sentient woodchipper on crack, ferocious. Vokillist Saint Vincent dredges up a mighty Mille Petrozza from KREATOR’s early years, all snarl, sneer and raspy execution. The title track only fans the flames here, the chorus of ‘Temple Of Serpent Whores’ demands horns raised, heads banged, blood in the pit in a way that those black metal bands with convoys of tour buses and Nuclear Blast touring budgets rarely succeed. Deceptively, the song shifts and […]

Album Review: Oranssi Pazuzu – Muuntautuja

It doesn’t get much weirder than ORANSSI PAZUZU. The eccentric Finns left their black metal roots in the dust long ago and have boldly steered full speed ahead into the land of “WTF”. Their 2020 album, Mestarin Kynsi, didn’t do a heck of a lot for me, as they seemed to reject any form of memorability in their quest for strangeness. 2024 brings us Muuntautuja…how does this one fare? This record is more batshit than anything they’ve done so far. Sheer noise has never played such an important role as it does here. In the press, the vocalist/guitarist Jun-His describes […]

Album Review: Ensiferum – Winter Storm

That ENSIFERUM was on a downward slide between 2009 classic From Afar and ‘20s Thalassic still kind of hurts, given how reliable the band was for its first four albums. I’ve kept up peripherally with them since, always at least given each new release a spin, but have come away feeling disappointed, and never went back to see if there was anything I might’ve missed, because there was so much more to hear and give time to, even within the folk metal sub-subgenre. Intro ‘Aurora’ sounds like the loading screen for the flash game Crush The Castle, and ‘Winter Storm […]