Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

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Album Review: Goetia – Mortuary Cult

After three years and as many EPs, Washington, D.C.’s GOETIA welcomes us into the Mortuary Cult on its first full length release. I’m blindfolded, mind, having never heard the band before, but given their previous choice of covers [KREATOR’s ‘Ripping Corpse’ and ‘Don’t Burn The Witch’ from VENOM], one hopes for at least a spark from these mighty torches has found its way into what we’re about to hear. Ahh, the intro. The seemingly ever-present and often pointless intro which seems to plague death metal bands specifically. Thankfully, ‘Lanterns Of The Dead’ rips the scab off, taking its share of […]

Album Review: THE FRĒQS – No God On The Gold Coast

There’s been quite the resurgence of noise and noise-adjacent rawk in the past few years, with longtime bands like THE ANTIKAROSHI releasing the finest work of its career [2024’s L’inertie Polaire], the recent MELVINS / NAPALM DEATH’s Savage Imperial Death March collaboration, not to mention relative newcomers EYES and BRIGHT SUNSHINE adding their own angular, jagged shards to the scene with Spinner and Executive Power Supreme respectively. ‘John Travolta’ pops his collar to the sound of that prehistoric dial-up internet connection we love so well, and THE FRĒQS follow shortly. Messrs. Crowell, Mandly and Fierman have come darker this time, […]

Album Review: Sacriversum – Before The Birth Of Light

Have you ever wondered what DEEP PURPLE would sound like as a death metal band? SACRIVERSUM from Poland definitely provides an answer! These guys have a long history going back to the early ’90s but this is my first encounter with them…and it’s a very delightful one! This is a great combination of death metal and prog rock. A lot of credit goes to the inventive keyboard work of “Baran”, who adds some awesome Jon Lord quality Hammond organ sound to SACRIVERSUM’s diverse attack. This is heard nowhere better than the first two proper tracks ‘We’re Storming Through The Night’ […]

Mangled Recrement – Demo [EP]

ENTOMBED. DEATH. MARDUK. Judging by the t-shirts, Poland’s MANGLED RECREMENT as least have good taste. ‘Boiled To Death’ instantly sears, white hot and bubbling, a twisted mishmash of NIHILIST and pre-Obscura GORGUTS, before all the prog came in. Really, it’s like the world blew up somewhere around ’94 when it comes to sonic references here, ‘Irresponsive Cephalic Fracture’ ascending / descending riffwork and herculean drum assaults caressing shadows of early OBITUARY, while ‘Bile Seeping Crypt’ steps out into frenetically off-kilter time signatures. Concluding this initial demo, ‘Buried Beneath Grubs’ brings the burl of Florida slammed against the largely more intricate […]

Album Review: Immolation – Descent

I’ve intentionally shied away from reviewing certain bands over time, either due to a blatant dislike or an appreciation that bordered on the slavish, knowing that both would result in a bias leaning heavily on one side or the other. DRAGONFORCE lies on one end of that seesaw, IMMOLATION the opposite. As I suffered through the latest album of the former, I felt the Noo Yawk-based death metal stalwarts were deserving of the same, so let us begin the descent into…Descent… Imagine, for a moment, a pastoral scene; maybe something of John Bradley or Frederic Edwin Church. But only for […]

Relic – Crown Of Flies [EP]

Comprising a few of Milwaukee’s best and darkest, RELIC’s Crown Of Flies debut explodes with ‘The Void Between The Gods’, a cavernous maw in which the entrails of HERESIARCH and ORDER FROM CHAOS writhe in unbridled ferocity. War metal missiles streak across the skies of ‘Filth Of Rebirth’, yet pummeled broadside with mid ‘00s death ordnance and, though ‘Scavenger’s Daughter’ may slow the pace overall somewhat, it lends the punishment extra heft. A surprisingly melodic solo near the end leads us into ‘Iron Sacrament’, which imagines a more scattershot MEMORIAM in league with recent BELPHEGOR to disastrous effect. While Crown […]

Album Review: Powerrage – Beast

It’s no secret EXCITER is one of my all-time go-to bands and that their classic guitarist John Ricci is one of my favorite musicians. The first three EXCITER albums are untouchable. Alas, the members of the band find it extremely difficult to be in the same room without killing each other, which has led to decades of erratic output and finally, another break-up of the original crew. Arising from the ashes is POWERRAGE, featuring Ricci and some time EXCITER vocalist Jacques Belanger, along with bassist Todd Pillon of WITCHKILLER and drummer Lucas Derry. John swears up and down that POWERRAGE […]

Album Review: Restless Spirit – Restless Spirit

RESTLESS SPIRIT came up old school, the way it should be done; dropping three EPs, tweaking and molding its sound so that by the time an album was even conceived, founding members Marc Morello [bass] and Paul Aloisio [vox, guitars] had at least a general idea of what they were going for. Can’t hurt that they’d known one another for practically their entire time on this rotting planet, so their musical language was inspired by decades of hailing favorites and mocking the “shitty” albums in each other’s collections. Enter drummer Jon Gusman, just in time for 2021’s Blood Of The […]

Album Review: Ignobleth – Manor Of Primitive Anticreation

Italy’s IGNOBLETH arrived with 2024’s Voidspawn Sacrifice EP, which was solid, but was also the sound of a band searching for itself. Heavy? Sure! Dark? As midnight. But memorable? Not so much, at least for these ears. And now the time has come to enter the Manor Of Primitive Anticreation. What lurketh beyond its gates, within its chambers? ‘Cults Of The Undead And Profane Necrolatry’ easily moves beyond a paltry “intro” track, an assurance that something is beginning that’s more than filler to the band. ‘Obelisk Of Deformity’ is gargantuan in riff and rhythm, cosmically malformed and unrelenting, collapsing us […]

Album Review: Who On Earth – It Takes The Village

New Jersey’s WHO ON EARTH returns with its sophomore shot, It Takes The Village. So strap in, babies, let’s see if the chicken’s finger-lickin’. Opener ‘Vigilance’ is a slab of fellow Garden Staters BLACK LABEL SOCIETY, complete with pinch harmonics, a biker bar anthem at birth, and I’m starting to see the Neil Fallon comparisons in the delivery of vocalist Coosh, but thus far not blatantly enough to be called a rip-off. ‘Any Other Way’ follows, gang background vocals adding a bit of ‘80s hard rock seasoning to the sauce, tasty dual leads garnishing the main dish, and leading us […]