Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

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Album Reviews

Album Review: Mordeo – Mordeo

Composed of members of sludge / doom AMAROK, groovy deathsters ABERRANCE and LEVEL, California’s MORDEO arrive with what purports to be its own take on sludge / crust in the form of its self-titled debut. ‘Bring Back The Fear’ collides with the eardrums instantly, a brief Cro-Magnon thundering giving way to what sounds like the collective asses of IRON MONKEY, VARUKERS and FISTULA getting an electrified cattle prod enema. There’s not a sense of urgency here; there’s a slathering, spitting, bloody, heaving mess that demands heed taken. Witness ‘Fight Your Friends’, a coiling, striking five-headed hydra on meth in sonic […]

Album Reviews

Album Review: Kate’s Acid – Hellbender

After Belgium’s CYCLONE returned to action recently, it’s no surprise that their country(wo)men ACID are also back for the attack. ACID were one of the very first female fronted metal bands, along with WARLOCK, and they played a fast and rough kind of “biker metal” that was pretty heavy for the time. Now Kate de Lombaert, the original voice of ACID, returns with an all new band of guys at least half her age. Horns up for the metal grandma! This is a real trip back to early ’80s metal, courtesy of a band who was there. First things first, […]

Short Sharp Shocks

Mauled – When Your Eyes Are Shut [EP]

Indiana’s MAULED returns with When Your Eyes Are Shut. In its fourth year, we find the quintet still proudly ploughing the field of ‘00s deathcore, because (who fuckin’ knew?) there’s still an audience for it. A throwaway intro segues into ‘Mouthful Of Glass’, which is a flip-through of the book already scribbled to fuck and back by CHELSEA GRIN, ALL SHALL PERISH and JOB FOR A COWBOY. ‘TheLastThingYouSee’ brings a kneecap-shattering riff and an insanely robust sound, while the breakdown-breakdown-breakdown of ‘Unidentifiable Autopsy’ borders on tiresome. ‘For Me…It’s Always Like This’ is jarring in that best of ways; subtle, completely […]

Album Reviews

Album Review: Multiwomb – Anatomy Of Gorelust

Just under a year after the aptly named Demo 2025, MULTIWOMB either pollutes the already cluttered brutal death metal sewer with even more aural fecal matter OR proves that you can, in fact, polish a turd into something presentable. Let’s study the Anatomy Of Gorelust, shall we? Wisely wishing “Fuck off and die” to tiresome intros, ‘Blood Climax’ goes for the money shot instantly, and – while I’d love a fuller drum sound when it comes to the toms (are those literal coffee cans, sir?), there’s something endearing here that recalls the early ‘00s basement and squat shows I went […]

Album Reviews

Album Review: Witchcraft – A Sinner’s Child [EP]

After the few (and welcome) acoustic flourishes of last year’s Idag, I wasn’t sure what A Sinner’s Child would be for WITCHCRAFT or hold for my ears. As much as 2020’s Black Metal was mostly enjoyable, there were hints at a sonic claustrophobia that was also troubling, in the lack of dynamics from a band that – up to that point – had been known for infusing its music with both climactic highs and cathartic lows. Was Idag an attempt to cleanse the palate while still leaving the good memories of Black Metal lingering in our memory, and if so, […]

Album Reviews

Album Review: Teratoma – Longing Voracity

To say Purulent Manifestations of 2021 caused the death metal world to sit up and take notice is an understatement, TERATOMA’s initial independent crusher being released by no less than five labels in all imaginable formats within two years of its arrival. Now, just over four years later, we find the Berliners on Me Saco Un Ojo Records out of London, and ready to (hopefully) cause damage with Longing Voracity. I’m not a fan of needless, unrelated intros as a rule, but ‘Exordium’ transudes smoothly into the title track opener, neither out of place nor overstaying its welcome. There’s immediately […]

Album Reviews

Album Review: Sylosis – The New Flesh

This band has been kicking around for at least 20 years and has yet to leave much of a mark. One of the problems is that they don’t know exactly what they are themselves. The New Flesh hops from radio friendly dad rock to LAMB OF GOD style thrashing groove to almost industrial metal sounds. If they focused on one of these, they might have a more coherent album in their hands. Press describes SYLOSIS mainman Josh Middleton as if he’s the baddest motherfucker on the planet. Please! I listen to metal on a daily basis that chews this up […]

Album Reviews

Album Review: Kallohonka – Lazer Blood

The older and more (if possible) curmudgeonly I get the less interest I have in PR one-sheets. To those who’ve never been on the receiving end of one of these, it’s therein that we’re told our lives up to hearing Band/Album In Question have been slightly to grossly unsatisfying if we’d just own up to the fact and begin to sing Band/Album In Questions praises far and wide. Rent skywriters. Get buck nekkid and call down fiyah from the tippy-top of the highest point in your area, be it the local Dollar Tree or the Statue Of Liberty herself upon […]

Album Reviews

Album Review: Phendrana – Cathexis

If you need a break from relentless aggression and the angst of the disintegrating world we live in, I highly recommend listening to Cathexis. This is really beautiful music that doesn’t totally eschew heaviness. Most of this type of material usually only interests me briefly, but PHENDRANA have found the secret of truly thoughtful and haunting songcraft. It’s the work of one Anuar Salum, a resident of Mexico City who is well versed in classical composition as well as jazz and rock techniques. With the help of some friends, he’s created Cathexis, a four song journey into melancholy that will […]

Album Reviews

Album Review: Jack Harlon & The Dead Crows – Inexorable Opposites

JACK HARLON & THE DEAD CROWS’ fourth begins with the aptly titled ‘Moss’ the fuzzed (dare I say it, “mossy”) guitar phrasings slow but unceasing, creeping as its namesake. These are the open lands, dark and wide, and Tim Coutts-Smith’s passionate baritone harks to fellow countryman NICK CAVE but fronting a more rough-and-tumble WAYFARER. ‘Venomous’ strikes, quick and deadly before coiling to attack again, serpent-brained and hooded, while ‘Mt Macedon’ drags classic CRAZY HORSE into the spotlight, loose, loud as thunder, and more concerned about emotion than perfection of technique. There’s good bit of grunge ala PAW or Screaming Life […]

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