Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

Season Of Mist

Album Reviews

Album Review – MÖRK GRYNING – Fasornas Tid

MÖRK GRYNING might’ve missed the first shrieks of second wave black metal in its native Scandinavia but, since 1995’s Tusen ảr gått…, founding members Goth Gorgon and Draakh Kimera and cohorts spread their shadows of melodic blackness over a handful of impressively solid albums until Mörk gryning of 2005. This would spell what most of us though was the end – and credit and hails to the founder(s) for halting the band when they felt their passion waning – yet metal in any form be a hard beast to tame, and thus was Hinsides Vrede born as the world writhed […]

Album Reviews

Album Review: Gaerea – Coma

Sticking with the pattern of releasing an album every two years since 2018’s aptly named Unsettling Whispers, Portuguese outfit GAEREA return with Coma. ‘The Poet’s Ballet’ glides into the ears, unhurried, yet with a sense of the near-liturgical, ALICE IN CHAINS vocal harmonies over peaceful keys and synths, the antithesis of what most have come to expect from GAEREA thus far – at least not to this degree. The true mark of quality here, among the many to be found over its catalog, is that, at just over 1/3rd of the way through the track, when treble flurries and the […]

Album Reviews

Album Review: Horrendous – Ontological Mysterium

HORRENDOUS have now been around long enough that they can’t be considered new kids on the block anymore. But with every new album, the metal press waxes rhapsodic over them as if they are as fresh as a spring daisy blooming in the graveyard. I’ve never really bought into the hype, but with this album, things start to coalesce and come together more than before. Plus, I think the album is coming out at just the right time. Death metal is kind of a big deal again, with newer bands leading the way. Most favor a primitive, knuckle-dragging style, like […]

Album Reviews

Album Review: Cloak – Black Flame Eternal

Having seen the Atlanta quartet open for IMPERIAL TRIUMPHANT in what amounts to a shoebox with a bar inside earlier this year, I can vouch that CLOAK’s “is it black/death or death/black” hybridization does carry over well into a live setting. To be honest, I’ve never “gotten” the WATAIN comparisons, as, musically, CLOAK has more clarity while managing to haunt – and thus far thrive in – the shades beyond dark and light, good and evil when it comes to lyrical fare. Striking hard and early the anvil of the search for enlightenment, ‘Ethereal Fire’ ignites, the band sounding full-bodied […]

Album Reviews

Album Review: Oak – Disintegrate

Proving itself not only competent but comfortable in crafting longer songs with its debut, Lone, Portugal’s OAK returns with a single-track album, Disintegrate. CATHEDRAL wisely sidestepped the opportunity to do so when the disco doomlords “could’ve”, SLEEP blows minds and bong rips to this day courtesy of Dopesmoker (or Jerusalem, if you prefer), so it only remains to be heard if OAK “should’ve”. The opening track (also the closing track) begins with the feel of a soundtrack to a nature documentary or possibly of a community living destitute, separated by class, by creed, or by its own decision. Nothing is […]

Album Reviews

Album Review: Strigoi – Viscera

Arising from the ashes of VALLENFYRE, STRIGOI are trying to establish more of their own sound on Viscera, their second album. The best word for that sound would be “gloomy”. The album still retains brutality, but things are more claustrophobic here, with a bigger emphasis on doom and Gothic atmosphere. That does give STRIGOI more of its own sound for sure, but they are not as immediate as the ferocious VALLENFYRE. The album’s tracks break down into longer, more atmospheric songs and shorter bursts of brute force where the scent of early British grindcore predominates. First cut ‘United In Viscera’ […]

Album Reviews

Album Review: Gaerea – Mirage

GAEREA’s sophomore release, Limbo of ’20, was one of the surprises of that year, both showing a band successfully expanding upon the debut, yet remaining true to themselves – not so much a reinvention as a reworking – and ended up on the Best Of 2020 lists of myself and many others. All-important third album Mirage sees the Portuguese troupe keeping the 8 songs to around average length for the band, yet still under an hour for total playing time. While the extended tracks that bookended Limbo were grand, ‘Memoir’ captivates from the start, shimmering, hazy as a mirage itself, […]

Album Reviews

Album Review: Black Anvil – Regenesis

This New York black metal crew pop up every few years with a new album, which gets talked about for a month or two and then promptly forgotten until the next cycle begins. With the title of Regenesis, perhaps they see themselves as reinventing the band and their sound. The album is well produced and competently played, but leaves me pretty cold. I know that past BLACK ANVIL works were more aggressive and darker than this. They do try to mix things up here and they succeed in giving each track its own identity, but the songs are generally softer, […]

Album Reviews

Album Review: Saor – Origins

Freshly back from his second album under the also solitary but more overtly blackened FUATH moniker, Andy Marshall returns with Origins, and it’s here we find SAOR returning to its, erm, Roots, yet looking brightly, brilliantly forward. Contemplative from the onset, ‘Call Of The Carnyx’ rolls in like fog across the moors, a hypnotic guitar phrasing, clan drums calling, beckoning to join, to heed the harkening. Soon enough, the fires are lit, and an energetic phrasing is held aloft by galloping rhythm, just as quickly to return to a brief gentler moment – and this is where the strength of […]

Album Reviews

Album Review: ABBATH – Dread Reaver

Black metal’s Uncle Buck returns to action and I’m not quite sure what to make of Dread Reaver. Yes, a lot of the ABBATH (and by way of osmosis, IMMORTAL) trademarks are here, but this has a different sound and approach than the man’s last two solo efforts. For one thing, the sound is rawer…a lot rawer. That’s not always a bad thing, to be sure, but the precision of previous ABBATH and also the last few IMMORTAL records is not here. Everything sounds a lot looser, almost like jamming in the rehearsal room, and the riffs don’t stick in […]

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