Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

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Short Sharp Shocks

Ghoul – Noxious Concoctions [EP]

For well over 20 years GHOUL has been splattering minds and bodies with their truly twisted death/grind/thrash, so it’s no surprise Noxious Concoctions follows that same formula. With ‘The Eyes Of The Witch’, the foursome chugs along at a mid-paced but mangling rhythm ‘n’ riff-ride, while the title track ups the ante in both speed and fury, a bit of UNLEASHED in the guitar tone. ‘Shotgun Gulch’ returns to a confrontational stomp/swagger, fine for what it is but a bit too “throwaway” SIX FEET UNDER for my taste. However, the snarling ‘Ratlicker’ and FUNEROT cover that put the final shovelful […]

Album Reviews

Album Review: Upon Stone – Dead Mother Moon

Ah, melodic death metal. From Gothenburg, Sweden and Finland did the beautiful yet razored strains of our beloved metal flow. While I’ll admit to being a lifer of the Stockholm sound, the rusted yet tearing teeth of the Swedish Chainsaw (HM-2) cranked to oblivion, the sometimes- bludgeoning doom-influenced moments, there’s something special about the more precise attack of the G-burg bands, and the inherent melody they brought to the table. And thus, from the cold, jagged cliffs, the snow-encased lands of the San Fernando Valley, California comes UPON STONE. Say what you will, but I’d imagine growing up as a […]

Album Reviews

Album Review: Lord Dying – Clandestine Transcendence

LORD DYING’s third album, Mysterium Tremendum, set the Portlandians (Portlanders? Portlandites?) firmly amid the bands that release watershed albums in which they could’ve really gone any direction from where they were. Brushes with previous prog elements became more intentional, and it helped the foursome in carving out its own niche in the somehow currently crowded sub-genre of doom in all its facets. Clandestine Transcendence sees founders Olson and Evans return with a new rhythm section, and slowly, almost languidly ushering us into ‘The Universe Is Weeping’ with guitars reminiscent of WISHBONE ASH or PROCOL HARUM when they knew they had […]

Album Reviews

Album Review: Nobody’s Fool – Time

‘Cherrie’ kicks off the NOBODY’S FOOL’s fourth album with an effects-drenched guitar tone that sounds alright at the start, but when it’s kept up for the entire song, it turns what could be a neat introduction to the band into a something the trained ear has to struggle to “listen past” in getting to the meat of an otherwise-decent opening. Things seem to be reined in a bit more on ‘So Wrong’, and we’re able to see NOBODY’S FOOL has some chops, and know the ‘80s Sunset Strip sound well, ticking all the boxes. Clean, higher-register vocals, blue collar rhythm […]

Album Reviews

Album Review: Slope – Freak Dreams

‘Talk Big’ takes shape slowly, fluidly, almost slow funk influenced before the actual funk is kicked into gear. Problem is, it’s not even really that funky, recalling more (Hed)PE half-assing its way through an early RHCP cover. Conversely, ‘It’s Tickin’’ kicks with a BEASTIE BOYS flavor circa Hello Nasty for the most part, only the outro dragging down any of the momentum SLOPE was close to gaining. ‘Chasing Highs’ carries on in this style, a very slight CIV presence revealing itself in the chorus but keeps the energy up for the entire tune. ‘Hectic Life’ is another winner once it […]

Album Reviews

Album Review: Atronos – Erwachen

Enter in ATRONOS of Germany for its second full length, despite being together less than three years. Chalk at least some of that up to lyricist/vocalist Baptist and (now) skinbasher Valfor doing double duty in underrated EISENKULT. Still, ATRONOS be helmed by Henker, who is responsible for music, guitars and bass, so no laurels to rest upon here. ‘Was uns so schrecklich hasst’ begins, fully formed and hoisting the banner of pagan black metal proudly. Baptist’s delivery here is markedly different from his style with EISENKULT, more mid-late ‘90s, reminiscences of when the genre was stepping out of the shadow […]

Album Reviews

Album Review: Engulf – The Dying Planet Weeps

While the solitary black metal entity has become a known genre trope – almost to laughably sad proportions – over decades, often losing part of what made it special in the first place in the sheer glut of what should never have been a “scene”, death metal has yet to trip over that stumbling block. Hence, when a death metal project arises where one person is responsible, win or lose, I’ll at least approach with an open mind. After three EPs, New Jersey’s ENGULF (in the form of Hal Microutscicos) marks its first full-length with The Dying Planet Weeps. ‘Withered […]

Album Reviews

Album Review: ÚLFARR – Orlegsceaft

Ever get tired of the lyrics of your favorite black metal bands being written in some obscure “eldritch” dialect that with a short visit to Google Translate becomes known as modern Norse or High German? Do you see Chaucer as a false for using Middle English in Canterbury Tales? Feel like Cascadian black metal’s “alright if you like that sort of thing”, but long for something evoking your eldritch and Cumbrian ancestral home? Behealdan ÚLFARR! Birthed and guided by founder Dominus (aka Hfran), in 2011, ÚLFARR has unchained new material regularly since, yet Orlegsceaft be its first march into the […]

Album Reviews

Album Review: Vemod – The Deepening

Time. It does what it does. It marches, onward and steady, each of us warring against or accepting, but still at its grim behest and beneath its law. Art – for those who create such – is a means to capture a moment or period from Time and leave a mark. “I was here.” “This is how I saw the world or myself.” When we rush to make that statement, that claim, it can be done poorly, or not fully thought through, yet it remains in the universe, the half-work of a creator who couldn’t comprehend what they were experiencing. […]

Short Sharp Shocks

Swim Or Drown – Trapped [7″]

There’s just something special about hardcore/punk from Scandinavia and the surrounding area, from the legendary kangpunk/d-beat sound of Sweden to the somewhat more technical yet still as powerful Swiss and Dutch scenes, the latter of which SWIM OR DROWN is a part. The title track of this 7” barnburner slams back and forth between ALL OUT WAR hardcore and FREYA metallic bursts, each style coming across as legitimate, no shred of gimmickry to be found. The gem for me here is ‘Human Scum’, a raging early INTEGRITY-styled diatribe with razor-sharp guitars and a boiling bottom end, scarred vocals spewing justice […]

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