Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

lord randall

Album Reviews

Album Review: Lower 13 – Embrace The Unknown

LOWER 13 is a trio hailing from Cleveland, OH, an area I’ve always much more associated with the hardcore of RINGWORM, SIX FEET DEEP, or the doom of FRAYLE, the dirty-dirty sludge of FISTULA, RUE and their incestuous spawn. Which means I’m intrigued at what sort of traditional metal comes from the land of the burning river, so here goes. The band’s fourth, Embrace The Unknown, stumbles from the start, the title track a jumbled mish-mash of “alright, I guess, if you like that sort of thing” to outright bad ideas firing off in all directions, as if, lacking anything […]

Album Reviews

Album Review: VREID – Wild North West

Sogndal’s favorite sons, VRIED, return with album number nine, having kept to a reliable schedule of an album every 2-3 years throughout the entity’s nearly two-decade career. While never veering too far from the path originally embarked upon in Kraft, the outfit has managed to remain reliable in quality as well thus far. To be honest, Wild North West was one of those albums that, even before listening, I entered upon the assumption that it would rise to the same watermark as the formers had. At first look, there was that rare sight of a vibrant cover, bursting with Frank […]

Album Reviews

Album Review: Hellcrash – Krvcifix Invertör

Italy’s HELLCRASH cranked out two demos and a split between 2013-2015, then unceremoniously departed from sight. Apparently, the trio has spent the time since on a strict regimen of liver punishment, graveyard hijinks and a diet of pre-’87 thrash/speed metal, now returning with its first full-length, Krvcifix Invertör. HELLCRASH makes no secret of its allegiances right out the gate, four of the nine song titles invoking the name of Satan, so it’s clearly time to party, right? Hellraiser’s guitars and sneer could’ve literally been spawned from Killing Is My Business… – era Mustaine’s drunken sweat, while the title track is […]

Album Reviews

Album Review: The Grasshopper Lies Heavy – A Cult That Worships A God Of Death

Going into a band “blind” for a review is the two-sided coin we critics/celebrants/self-proclaimed journalists flip more and more often these days, as we come to the sobering realization that you simply can’t Hear Everything. Bands pop up on your radar, seemingly out of nowhere, despite having been in existence for sometimes many years prior. Such is the case with yours truly and THE GRASSHOPPER LIES HEAVY. Helmed by multi-instrumentalist/vocalist James Woodard, and completed by Mario Trejo on bass and drummer Steven Barrera, TGLH has moved over it’s 10+ years from a primarily instrumental outfit to a more “standard” band. […]

Album Reviews

Album Review: Godslave – Positive Aggressive

Ahh, thrash. For me, coming into my teens in 1985, heavy metal was beginning to stake its claim in my pubescent, hormone-driven/angst-ridden/terminally depressed soul. MOLLY HATCHET, OZZY OSBOURNE and TWISTED SISTER were slowly ceding listening time to MEGADETH, DARK ANGEL and CANDLEMASS. Things were getting hectic. And then, thanks to print rags such as Metal Mania, and Kerrang, I began to hear about SODOM, KREATOR, etc. It seemed those German bands had a bite, a hunger, razor-styled riffing and raspy vocals that the US bands just weren’t giving me. To this day, the thrash I do enjoy is mainly of […]

Album Reviews

Album Review: Dungeon Serpent – World Of Sorrows

Looking at the cover art of DUNGEON SERPENT’s debut full-length, World Of Sorrows, I was instantly reminded of the CANDLEMASS albums Nightfall and Ancient Dreams. Delving a bit deeper, come to find out that the same artist – 19th century British-American painter, Thomas Cole – is responsible for all. I remember buying Nightfall when it came out, having no idea what I’d be hearing once I got home, and falling so under that spell as to now have the iconic skull-and-spikes image now tattooed on my body. ‘Necroscope’ doesn’t waste any time whatsoever getting down to the business of death, […]

Album Reviews

Album Review: Exil – Warning

Umeå, situated in Norrland of Sweden, has a rich cultural history. So much so that – if you’re reading this – you probably either really love or really hate its most famous metal export, MESHUGGAH. But more than this…much more than this…is that if you’re of a certain age, and listened to punk/hardcore, the name “Umeå” was mentioned without irony alongside the scenes of New York, Cleveland, Detroit and LA. That history flows deep within EXIL, though Stockholm is where the elements of this culture-shattering bomb came together to create Warning. Made up of members current and former of U.X. […]

Album Reviews

Album Review: Voidgazer – Dance Of The Undesirables

Oh, you had me at “biker prog”, PR dude, if for no other reason than that the utter trainwreck of a STEPPENWOLF / NEKTAR hybrid would be fun to watch go down in flames. Could it possibly be worthwhile, though? Alright, VOIDGAZER, hit me… While the name/project itself has been around for about 5 years now, a complete overhaul in 2019-2020 of all but guitarist Austin Rakey could spell either doom or a reinvention, of sorts. ‘Jesus Take The Needle’, spends around a minute revving the engines, as if to make sure it’s truly good to go. The main riff […]

Album Reviews

Album Review: Hinsides – Under Betlehems Brinnande Stjärna

From the opening minute of ‘Afsägelserit’, I wasn’t sure what exactly I was supposed to be hearing. Remember that sound when your cassette player starts to eat the tape itself, so you quickly remove the tape, wind it back up, and it miraculously still plays when you reinsert it into the player, but the music never sounds quite “right” again? Yeah, that. I’ve heard…I’ve made better-sounding demos than this with the punk band I was in when I was 13, and we were legitimately recording into a boom box. Six minutes of hectic that somehow managed to have absolutely nothing […]

Album Reviews

Album Review: Death On Fire – Six Foot Box [EP]

One would think, after two albums and a split heading up the annoyingly-named DEATH ON FIRE, as well as a “funny” little grind parody project ALPHA O-MAGA, Tim Kenefic would’ve either given up, or at least latched onto something worth a listen. Regrettably, what we’re given with Six Foot Box is more of the same. The title track wanders, even 30 seconds in, meandering, Kenefic doing his best DANZIG impression (check out the band’s truly abysmal stumble through ‘How The Gods Kill’ for his worst), lackadaisical vocals reminiscent of nowadays Phil Anselmo reliving the nods from his heroin days, all […]

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