Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

lord randall

Album Review: Daeva – Through Sheer Will And Black Magic

As much slavish devotion to epic doom as I have, the last CRYPT SERMON really fell flat on my ears, so the news that 3/5 of that band was releasing a black/thrash album as DAEVA with a different vocalist at least perked up this ol’ dog’s ears. This could be stellar or abysmally bad, and with the PR sheet mentioning BATHORY, VOIVOD and DARK ANGEL…well, you see what I mean. When your album’s just a goat’s hair over 30 minutes long spending 2 of them in an intro is from the start an issue, nevermind that ‘Intro (Emanations)’ doesn’t give […]

Album Review: Hierophant – Death Siege

A handful of albums over a dozen years of recorded history is nothing so scoff at for any band. And when said band – in this case HIEROPHANT – has the gumption to cover a band as staunch and without compromise as BOLT THROWER, one can only assume that band fancies itself as dedicated. Anyone who knows me knows I’m not a fan of intro tracks whatsoever, but ‘Mortem Aeternam’ is less an intro than a barrage of sonic violence assaulting your ears, all instruments and voices caterwauling, haranguing, defiling and dismembering into ‘Seeds Of Vengeance’. More Metal ™ than […]

Album Review: R.A.M.B.O. – Defy Extinction

I remember first hearing the name R.A.M.B.O. from a friend of the band while hanging out in Philadelphia in the mid-‘00s. What? Costumes at shows? Political lyrics? Sorry, if you need me I’ll be here in my utterly original EMPEROR shirt and equally individualistic corpse paint, thanks. Then I listened. Wall Of Death The System sold me, elements of SACRILEGE demos, a smattering of AGNOSTIC FRONT/SOIA and even a dash of MENTORS when it came to the sense of skewed humor reminding that there are things to be taken with a dead seriousness as well as to be mocked because […]

Album Review: Coffin Torture – Blennoid

From the unexpected environs of South Carolina, land of Myrtle Beach, Hilton Head and a multitude of other lures for lovers of sun and beaches, Thorfinn and Blind Sampson return with their second full-length under the COFFIN TORTURE moniker, hoping to disgust our eardrums with Blennoid. ‘Ükhsen Uul’ begins this self-described “death sludge” effort with gooey riffs and a near industrial clang ‘n’ clamor to the rhythm section, but the whole affair seems processed, effects-ridden, and with neither the rabid ferocity of death nor the crawl through the sewer-swamp of sludge. While I’m sure the elongated intro to ‘Budo’ was […]

Album Review: Caustic Casanova – Glass Enclosed Nerve Center

CAUSTIC CASANOVA’s decision to augment the long-standing trio by adding Jake Kimberly on guitars bears fruit from the start, opener ‘Anubis Rex’ robust and invigorating/-ed, kicking off with some hybrid of spaghetti western, cock rock and surf, a dual-string attack clearly suiting the band. Add to this the trident-pronged vocals, and the D.C. act arsenal’s chock-full o’ ingredients that should guarantee success. But can they put their tools to good use over the course of Glass Enclosed Nerve Center without wandering in the process? If ‘Lodestar’ is any indication, yes, and since the band’s always had rather an “everything up […]

Album Review: Queensrÿche – Digital Noise Alliance

No sense in lying to you or to myself. It hurts when a band that meant so much in your younger years seems to have completely turned tail and run on the sound that undeniably both made them a household name in the cottage industry of metal but endeared them to yourself and othersin the process. For me, one of “those” bands was QUEENSRŸCHE. And I couldn’t care less about the legal battles, all of that, so if you want to rehash something that’s been decided (at least by the courts) long ago, might as well go somewhere else. I’d […]

Album Review: I AM – Eternal Steel

Begun by vocalist Brandon Hileman in his 20th year, Texans I AM solidified their lineup in 2017, and have since put out a couple albums sparking a level of interest completely relative to the listener’s enjoyment of groove metal. While the Lone Star State has a plethora of fantastic metal bands, I’ll stand on Phil Anselmo’s ego and swear that PANTERA was never one of them. Yet still, their influence looms large, and thus we arrive at Eternal Steel, I AM’s third. ‘The Primal Wave’ is the grabbing of low hanging fruit from an orchard of already rotten fruit, Hileman’s […]

Interview: BONGBONGBEERWIZARDS

For the past five-odd (emphasis on odd) years, Germany’s BONGBONGBEERWIZARDS have been making use of ancient sonic alchemical techniques to conjure riffs moving at the speed of slow, drone hymns and cautionary tales. Lord Randall takes the magic carpet ride to the Ampire… STRAIGHT OUTTA DORTMUNDInterview with Bong Travolta in the human form of Jan S. [Guitars/Synth/Saxophone]Interview by Lord Randall Rebel Extravaganza: When the band first began, did you already have a solid idea of what you wanted the sound to be, or would you say it’s naturally developed over time? Bong Travolta: After changing the lineup back in 2019, […]

Album Review: MADROST – Lost Lives Volume 1

Ah, the live metal album. To be honest, in my Top 20 Live Albums of all time aside from MANOWAR’s Hell On Wheels – Live and Live After Death by IRON MAIDEN there’s probably not a single one that could qualify as balls-out Metal ™. That’s largely because the metal show is so visceral, so in-the-moment that if you weren’t sweating it out in the venue – be it arena or basement show – no amount of audio trickery, snappy between-song banter or killer set list is going to make you feel like you were. Oh, there are exceptions. OZZY […]

Album Review: ABHOR – Sex Sex Sex (Ceremonia Daemonis Antichristi)

Now eight albums deep into a 25+ year history, Italy’s ABHOR renew their commitment to the dark arts with the evocatively titled Sex Sex Sex (Ceremonia Daemonis Antichristi). With the core membership of Domine Saevum Graven and Ulfhedhnir (on guitar and vocals respectively) intact since 1995, one would be forgiven for assuming you know what you’re walking into with ABHOR. With the cover continuing the red/crimson theme of 2015’s Ritualia Stramonium and Occulta Religio of three years later, thoughts (among other things) arise of COVEN’s oft’ imitated Jinx Dawson, but this being ABHOR, there’s a snide swipe at the liturgies […]