Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

lord randall

Album Reviews

Album Review: Deiquisitor – Apotheosis

Danish death vendors DEIQUISITOR have been at it for a decade now, generating reliable, convoluted albums and EPs, Apotheosis being the fourth of the former. With the self-titled debut of 2016 (drool and gnash your teeth at ‘Elongated Crystal Skull’ for reference), it seemed there was something just strange enough about the trio’s take on death metal to bear keeping an eye on, and thus far no disappointments. Jointly released by Extremely Rotten Productions and Night Shroud Records, Apotheosis takes aim with ‘Humanoid’, a distended, twisting riff straight out of Stockholm circa 1989 hits its mark, drummer Henrik B.C. seemingly […]

Album Reviews

Album Review: Satanic Warmaster – Aamongandr

Since 2005 (and a few albums deep into its recorded history already), Finland’s SATANIC WARMASTER has been bathed in the blood of the sole and ridiculously prolific Werwolf, for better or worse. Guest musicians involved or not, SW’s failures and triumphs rest and resound in one man. With a discography as varied and plentiful as this, it’s unwise to assume everything measures up to the quality of the best or should be down to the level of the triteness of the worst. Aamongandr is SATANIC WARMASTER’s first full-length in 8 years, though, so one hopes Werwolf and the chosen session […]

Album Reviews

Album Review – Mycelium – Mycoticism: Disseminating The Propagules

Scotland’s NECRONOCLAST cranked out some pretty interesting black metal in the mid-late ‘00s and it seemed as if with its final album, Ashes, and a split with the mighty DODSFERD, sole member Greg Edwards might be ready to take the next step forward. There was always something a little quirky and uncommon about the lyrical content of NECRONOCLAST, but no one saw MYCELIUM coming ten years later, I’d wager. Elements of let’s call it “fungal horror” are found in death metal’s beginnings, but have recently taken hold as roots, strangling and choking. That’s a little of what’s happening within Mycoticism: […]

Album Reviews

Album Review: Kampfar – Til Klovers Takt

Nearly three decades (man, I’m feeling my age at typing this) and 9 albums into life as KAMPFAR, the Norwegian black metal lifers have spent their career eschewing the satanic, the demonic, the “low hanging fruit” of a good many of their contemporaries, opting instead of tales of myth, folklore, true history, and how such can relate to society today. What were “myths” anyway, but a way for olden man to wrap his head around something in Nature – human included – that he couldn’t comprehend. From the first mythmaker, the first storyteller on, man has been seeking that wisdom, […]

Interviews

Interview: Hostia

Purveyors of death/grind destruction, HOSTIA demanded to be the final Rebel Extravaganza interview of 2022, and who were we to deny? Newest album, Nailed, out on Deformeathing Production crams 15 tracks of malevolence, madness and mayhem into under 25 minutes, which just gives you a chance to hit play one more time at the end…if you survived the first time… GRIND PRIESTSInterview with St. Anacletus [Guitars] and St. Sixtus [Vocals]Interview By: Lord Randall Rebel Extravaganza: When you formed back in 2017 was it more because there weren’t enough bands doing the style you wanted to hear, or there weren’t enough […]

Album Reviews

Album Review: Embalm – Prelude To Obscurity

The mid-‘90s were a strange time for death metal. From its arrival in the late ‘80s, the genre quickly expanded, various tentacles reaching and sucking the marrow from the bones of (it seemed) every other form of metal to come before – and more. OBITUARY, IMMOLATION, NIHILIST; they all had their own definable sound, but were resolutely Death Metal. It is into this world we return with Prelude To Obscurity, a compendium of the entire available output of EMBALM. Hailing from the unlikely lands of the upper Midwest, the foursome already had something going for them that they probably didn’t […]

Album Reviews

Album Review: Bloodclot – Souls

NYHC (New York Hard Core for those new to the game) has always built its reputation on the short sharp shock. Get in, get down, get out. Lyrically it’s the same. Not a lot of pontificating or fancy $25 words when a simple “Fuck you!” would do, and this is BLOODCLOT’s home turf on Souls, no doubt about it. Bolstered by a lineup featuring current and former members of CRO-MAGS, QUICKSAND, AGNOSTIC FRONT and MADBALL, these four horsemen couldn’t be more NY if they tried, ancestrally deep in the sewers, squats and boroughs as they are. Throat man John Joseph […]

Album Reviews

Album Review: Gaerea – Mirage

GAEREA’s sophomore release, Limbo of ’20, was one of the surprises of that year, both showing a band successfully expanding upon the debut, yet remaining true to themselves – not so much a reinvention as a reworking – and ended up on the Best Of 2020 lists of myself and many others. All-important third album Mirage sees the Portuguese troupe keeping the 8 songs to around average length for the band, yet still under an hour for total playing time. While the extended tracks that bookended Limbo were grand, ‘Memoir’ captivates from the start, shimmering, hazy as a mirage itself, […]

Album Reviews

Album Review: He Is Legend – Endless Hallway

‘The Prowler’ leads the charge – or attempts to, the verses licking the dirt-rock, speedster boots of ZEKE and HOOKERS, while the choruses are straight out of the early CLUTCH playbook. The dragging tempo of the final minute or so, instead of being climactic, arrives and pulverizes any built-up interest into dust by the time ‘Lifeless Lemonade’ arrives, and if you’ve ever wondered why some of MAYLENE & THE SONS OF DISASTER works and HE IS LEGEND never seems to, this is your template; rhythms built for skipping, disjointed cut/paste rock interspliced with a weird ‘80s pop vocal nod at […]

Album Reviews

Album Review: Forever Autumn – Crowned In Skulls [EP]

Massachusetts forest-dweller Autumn Ni Dubhghaill emerged from the cocoon years of 2004-’08 by, against expectation, harkening back to an older, more ancient time with her art. Rustic, simpler, almost agrarian in execution, Waiting For Öktober was sparse, that new-formed, black-winged butterfly clawing through and out of an enclosure, unsure but committed. Three albums and an EP have followed – including 2021’s black metal scorcher Hail The Forest Dark – to today, where FOREVER AUTUMN returns to folk-seasoned doom (or is it doom-seasoned folk?) with Crowned In Skulls. Assisted by mainstay cellist/foil Jon McGrath throughout and revisited by Aaron Stainthorpe of […]

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