Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

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Album Review: Melt Motif – Particles. Death Objective

Blended Brazilian / Norwegian combo, MELT MOTIF quietly (or, maybe not so) crept into my Top 10 List for 2022, A White Horse Will Take You Home’s otherworldliness and simple refusal to be beholden to any “scene” or single genre alluring from first listen. The debut got comfortable over repeated listens but, to this day, will occasionally reveal some previously-hidden glitch, beat or melody, the mark of a truly good album. How, then, to top this? I have come to believe the often-documented “sophomore slump” – which also plagued GUNS ‘N’ ROSES after Appetite For Destruction – is at least […]

Album Review: Dawn Of Ouroboros – Velvet Incandescence

‘Healing Grounds’ wafts into the consciousness, vocalist Chelsea Murphy gossamer, almost too light for air over ethereal jazz that imagines Johnny Mercer doing a set in the outer reaches of the cosmos. When the metal shows up (and it does), it’s ultra-melodic and equally of space, but this is more a testament to the instrumentalists’ skill and ability to conjure a mood than anything else. Murphy’s siren song becomes shriek, the Baker/Thomas guitar duo displays a familiarity with their craft many could take a lesson from. Don’t think you’re in for some fey ride through lightweight lands for long, though, […]

Album Review: Liv Kristine – River Of Diamonds

LIV KRISTINE, she of the many bands/projects/faces returns with her sixth solo effort, River Of Diamonds. While yours truly had never really “gotten” LEAVES’ EYES, preferring her work with THEATRE OF TRAGEDY and MIDNATTSOL, the issue was never her vocals, more the musical style. This will be my first foray into LIV KRISTINE, the solo artist. And, as I’m not expecting Velvet Darkness They Fear, I feel I’ll be able to approach the album objectively. ‘Our Immortal Day’ begins, awash in keys, a throbbing bassline and the tandem vocal delivery (shared here by Osten Bergoy of LONG NIGHT and TRISTANIA) […]

Album Review: Voidceremony – Threads Of Unknowing

Virtuosity bereft of emotion be damned. If the songs don’t stick in the listener’s mind after the album’s finished, you’ve failed as an artist. This carries over to painting, the printed page, practically any form of would-be artistic expression. Art ceases to be art when “Look what I can do!” takes precedence over “This is how I feel.”, or even more so, “How does this make you feel?”. Three years after its debut full-length, VOIDCEREMONY returns with Threads Of Unknowing. The title track is an onion, multilayered, yet the skin is unwound, almost see-through in its viscosity, riffs and melodies […]

Album Review: Numeron – Road To Valhalla

Having not been exposed to NUMERON’s debut, Void, of 2021, I wasn’t expecting much – or anything, really – from the strangely titled Road To Valhalla. In and of itself, the title places an image in the mind, sure. But when the band in question is based in Indonesia, I find myself thinking of Celtic folk bands from Peru, Southern American-styled doom/riff rock from St. Petersburg, Russia, what have you. Yet Road To Valhalla is what I’ve chosen, so let’s wander on… ‘Light Upon The Ground’ starts our journey, awash in synths and processed vocals, Lufti’s register thus far goth-influenced, […]

Album Review: Sever – At Midnight, By Torchlight

So, let’s look at SEVER’s July 2022 Sadistic Sorcery demo as the moment of conception. What this does, in effect, is makes the April release of At Midnight, By Torch Light its birth. Now, what hath founder and (yep, you guessed it) sole entity Ma-Kaxul birthed? ‘Abyssonaut’ instantaneously assaults, clanging and cataclysmic, synths, strings and skins attacking from all sides, but retaining a sense of cohesion, impressive in such a storm. While the drums act more as a placeholder than anything else, I’d have liked to see a more dynamic role in this opener, but we’ve still 5 songs remaining, […]

Album Review: Mork – Dypet

MORK is Thomas Eriksen. And if black metal is even in the periphery of your musical world, you are familiar with the name. For nearly two decades Eriksen has been a force of might and misanthropy, even more impressive that he’s churned out now six full-lengths as well as four EPs by his loathsome lonesome all within the past ten years. What sounds like your little brother’s dungeon synth project practicing in his bedroom soon enough is joined by mournful guitars, very near to doom in delivery, and suddenly the synth belongs there, seeming natural and fluid. Set alight and […]

Album Review: Treedeon – New World Hoarder

TREEDEON returns with its all-important third album, the intriguingly titled New World Hoarder. After a five-year absence. Well, I suppose “absence” really isn’t the right word, and with such a bleakly foreboding album as Under the Machineel to follow, the time it took was the time it took, and at least some of those days were dedicated to making thoughtful steps forward. And our first step into the result, ‘Nutcréme Superspreader’, begins with the sound of ocean birds, the tide against the shore, quickly enough joined by fuzzed out, fluid bass/guitar patterns, mangled then cauterized vocal chords over the top, […]

Album Review: Kommand – Death Age

‘Final Virus’ begins, grinding and grisly, that punishing, brutal lurch forward of conflict that all humans have endured since Cain walloped his brother, Abel, with a rock. All the marks are ticked when it comes to influences, and we’ll shoot out a few of them here – BOLT THROWER, HERESIARCH, albeit not as unhinged overall, MALEVOLENT CREATION – but this isn’t some slinging against the wall in hopes a shred of legitimacy sticks. The stringed soldiers keep their tone so blasted low for the most part it’s hard to tell which is which outside of the solos, but it fits […]

Album Review: Oak – Disintegrate

Proving itself not only competent but comfortable in crafting longer songs with its debut, Lone, Portugal’s OAK returns with a single-track album, Disintegrate. CATHEDRAL wisely sidestepped the opportunity to do so when the disco doomlords “could’ve”, SLEEP blows minds and bong rips to this day courtesy of Dopesmoker (or Jerusalem, if you prefer), so it only remains to be heard if OAK “should’ve”. The opening track (also the closing track) begins with the feel of a soundtrack to a nature documentary or possibly of a community living destitute, separated by class, by creed, or by its own decision. Nothing is […]