Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

lord randall

Album Review: Kruelty – Untopia

Tokyo five-pointed star of extremity KRUELTY returns with its second, Untopia, ‘Unknown Nightmare’ opening with a ritual type chant that lulls into a false sense of security, obliterated once the tune proper kicks in. Bulldozer riffs, one of the most addictive bass tones I’ve heard in too long and insistent drums bolster Tatami’s Straight Outta Stockholm vocal hysterics, the band moving deftly in and out of beatdown HXC, NIHILIST-ic stench and COFFINS crawl, and the first song ain’t even over yet. ‘Harder Than Before’ burns with a RINGWORM-like urgency, as frantic, but snapping into time to deliver a breakdown any […]

Album Review: Majesties – Vast Reaches Unclaimed

MAJESTIES arrives unexpectedly, comprising members of melodic metal Minnesotan entities OBSEQUIAE and INEXORUM. Vast Reaches Unclaimed is its debut, no demos or fanfare prior to release. Forward, then, we march… ‘In Yearning, Alive’ sets the standard, early DARK TRANQUILLITY, IN FLAMES when they mattered, underrated early work by German force NIGHT IN GALES being reference points, Tanner Anderson clearly enjoying being able to put his mid-range snarl to use in a way he doesn’t (normally) within his other main outlet. From even first listen, the production is sharp when needed, yet polished, almost brought to a glittering sheen simultaneously, a […]

Album Review: Eisenkult – Vulgäre, deutsche Hassmusik

Relative newcomer EISENKULT returns with Vulgäre, deutsche Hassmusik, the band’s lineup now including vocalist Tiwaz, also in longstanding (and more overtly medieval) ASENHEIM with drummer Valfor. ‘Annufung’ rings us to awareness, dark synth progressions and male chorale ushering in the German’s third. No pitiful, throwaway “intro” track this, a true harbinger of what’s to come, instantly drawing one into the world of the album. Surprisingly catchy, open and memorable from the start, ‘Der Teufel hat’s gesandt’ interlaces EISENKULT’s former 8-bit flirtations into a much bolder, more defiant blending to good effect, the tone of the guitar during the more blackened […]

Album Review: Netherlands – Severance

‘Sicarivallio’ lumbers in, electronic and intent, headphones encouraged, because you’re instantly swallowed in the sound conjured forth by NETHERLANDS on its 9th search for sonic Nirvana. “Swallowed”, because no kind, calming word such as “swaddled” or “wrapped” will do. Shriek and flail, mixing and tossing against each other of disparate elements, creating a Golem of aural form. Herky-jerky and convulsive, ‘Swimming Dog’ pounds the sense, yet undeniable melodicism broils lava-hot and sugary sweet beneath the service. Elements of proto-punk TELEVISION before Verlaine and Hell had their falling out, ‘Omisha’ as syncopated, if possible, even more beguiling with the vocal melody. […]

Album Review: Nanowar Of Steel – Dislike To False Metal

First things, first, let’s be clear; while yours truly most assuredly sees the humor and sheer ridiculousness of a good many trappings of heavy metal, the one thing you’ll never read in these pages, hear from my lips is a lack of seriousness about the music. And I think that’s what puts me off about bands like NANOWAR OF STEEL most of all – the sheer grade school level banality from the start. And don’t even get me going on Metalocalypse, a show that could’ve been endearing but ended up doing more damage than any chuckles were worth by playing […]

Album Review: Merlock – Onward Strides Colossus

After an EP that was released just as a worldwide pandemic began tightening its grip, as well as a debut released in the throes of same, I was interested to see what a “post-pandemic” MERLOCK would deliver. And thus, Onward Strides Colossus. ‘Sovereign Throne’ eases us in, watery, fluid and floating, psychedelic in the way so many of the post-whatever crowd attempt, but it’s evident here, and natural. Blues-ridden, moving to a trot at around the halfway point, when I’d like to have seen the earlier given a chance to develop more color. One thing that’s always been true about […]

Album Review: Temptress – See

Christian Wright’s bass, languid and flowing, puts us out to the seas of See (see what I did there?), a healthy bit of AIC grunge in the mood TEMPTRESS is in search of as Kelsey Wilson’s guitars wash atop the surface, breaking the foam. I can’t help but feel like I’m still waiting on the song to start at the halfway mark, though. The harmonized vocals of Wilson/Wright are holding interest, and Andi Cuba’s rhythms are locked in ala Ringo Starr, providing a bedrock base for what’s going on around her. I’m just not sure what is going on, is […]

Album Review: Bodyfarm – Ultimate Abomination

Returning with its fifth full-length in just over a decade, Netherlands death machine BODYFARM brings hopes to bring us Ultimate Abomination. ‘Torment’ begins the assault, the scattershot sound of European death (early WOMBBATH a reference point), but mixed with the grime of OBITUARY’s pre-The End Complete years making no secret of the band’s influences. There’s a freshness to it, though, ‘Symbolical Warfare’ a head-down, forward-charging rager ala SLAYER before they lost their balls, new drummer David Schermann keeping the tank rolling forward and furiously. You don’t just walk into a band like BODYFARM with no preparation, and – as a […]

Album Review: Dreams Of Gray – The World After [EP]

Black metal has, even since the days of BATHORY and BURZUM, been the enclave of the solitary, and there’s a better than likely chance that, in 2023, the solo practitioners of the art far outnumber more traditional bands. Not so, the realm of doom. Or, in the case of Illinois’ DREAMS OF GRAY, a death/doom hybrid. Austria’s SELENITE comes to mind, the funereal liturgy of Italy’s NOCTU, but the genre as a whole lends itself to collaboration, strangely; a camaraderie of the sorrowful, if you will. Misery does love company, after all. More active in ABOLISHER of the mid-‘90s to […]

Album Review: SANGUISUGABOGG – Homicidal Ecstasy

After the four song Pornographic Stench demo of 2019, SANGUISUGABOGG got snapped up double-quick by Century Media, parlaying the “weirdness” of their name and logo (self-described as “the Nike swoosh of death metal” by gurgler Devin Swank) into what seems to be the next “it” band in metal. ‘Black Market Vasectomy’ kicks things off, or tries to, at least. I shouldn’t enjoy Cody Davidson’s coffee can drums, but for some reason I am, but that could be because they’re mixed so far to the front that the guitars sound like they’re in a room down the hall somewhere, likely jerking […]