Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

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UFOMAMMUT – Crookhead [EP]

A short six months after psych-ish/doom-ish transcendental cadre UFOMAMMUT reached (or returned to) new heights with Fenice, we’re presented with a short EP by the name of Crookhead. The title opening track is the gluttonous rumble deep from the empty belly of a waking, carnivorous Jötunn, feet tromping lakes where once were flatlands, belch-bellowing his rapacity over a ‘70s CB radio for its nearly 9 minutes. Swaying heavily at times, others over a bed of YOB-worthy intonations, ‘Supernova’ takes us to the throbbing heart of Crookhead, while ‘Vibrhate’ lives up to its name. I referred to Fenice as “a rebirth” […]

Dave Neabore – Power Plan [EP]

Well, this one sure to shit wasn’t expected. The only thing I care to know about DOG EAT DOG is that RONNIE JAMES DIO did a song with them. Founding bassist Dave Neabore reveals his Power Plan on this EP, and it’s awash in synths from the get-go. No pity-party FLOCK OF SEAGULLS here, ‘Power Plan’ is Danny Elfman popping MDMA and turned loose in Rick Wakeman’s playroom. More cerebral, an almost ART OF NOISE minimalist vibe carries ‘Star Feels’, while ‘Delayed Green’ throbs and pulsates. Closing down with ‘Night Shift’ unceremoniously dumping all the goth-lite ghouls into the neon […]

Album Review: False Fed – Let Them Eat Fake

You toss the “formed by members of” tag in front of so many bands, and it often ends up feeling like a resting-on of laurels at best and a “Hey, give us a pass if it sucks, alright? This isn’t our real band anyway!” at worst. But when the ranks of FALSE FED’s “…members of” include members of DISCHARGE, BROKEN BONES, AMEBIX and MINISTRY, you’ve got my attention at least. Kicking off with JP Parsons’ pulsating bassline, snapping drums and a guitar that conjures the much-missed DEAD ARTIST SYNDROME, and MAGAZINE, but with Jeff “JJ” Janiak’s vocals holding more a […]

Album Review: Fabricant – Drudge To The Thicket

I remember FABRICANT. You might, as well. Founders Troy Roberts and Pendath basically split tasks evenly for a demo in November 2010 that turned more than a few heads. The iron being hot, they struck, the Drudge To The Thicket demo/single appearing with an expanded lineup by year’s end. 2013 comes, and a split with the short-lived APOCRYPHON seemed to also spell the end for FABRICANT. Now, a full decade later, the duo returns augmented by bassist Ryan Daugherty. ‘Prey To Whom’ bursts forth, blooming twisted beats and distorting riffs, almost like an incredibly more polished DEIQUISITOR. While the song […]

Album Review: Slomatics – Strontium Fields

With 2024 being the band’s 20th anniversary, and only one lineup change in that time – that over a decade ago – it’s a fair bet that Belfast’s SLOMATICS has a grasp on its sound, as far as what fits and doesn’t. Wall-Of-Sound amps, a mixture of riff-rockin’ majesty and low-end groove have always been the trio’s “bread and butter”, but they’ve also never shied away from experimentation or journeys into fuzz-fueled psychedelia when the mood (or bong) hits. Speaking of which, though the past has seen the band releasing songs just over 1 and over 10 minutes in length […]

Album Review: Freya – Fight As One

Picture it. Sicily. Or, rather, America in the late ‘90s / early 00’s. Landmark metal/hardcore bands like ONLY LIVING WITNESS had called it quits for whatever reason, KILLSWITCH ENGAGE wasn’t the slave to the hype engine they were soon to become, and bands like SHADOWS FALL were making some quality metalcore (emphasis on the metal). Into the fray leapt FREYA, and ‘03’s As The Last Light Drains was, to my ears, a masterwork of the style. Though more hardcore, largely due to the members’ backgrounds, the solos tastefully, the melodic vocals weren’t off-putting and everything fit exactly where it belonged. […]

Album Review: 20 Watt Tombstone – The Chosen Few

Seems like you can’t throw a limited-edition vinyl of Degüello, Welcome To Sky Valley or Captain Beyond without hitting 18 bands trying to cop that feel, morph it, and – hopefully – twist it into something their own. Complain about the surplus of post-black metal bands these days all you want, and Lord knows I do, but it’s a drop in the bucket compared to the sheer glut of stoner rock bands. Mind you, not doom. Not at all. Very different animals, muchaco, and rarely even of the same species, when done right. Returning with its all-important third album, Wisconsin’s […]

Album Review: Mizmor – Prosaic

MIZMOR’s fourth proceeds, ‘Only An Expanse’ a whirlwind of unadorned and raw auricular fury, which is strange, given the acceptance of the subject matter. Not so much resigned to fate as an “…in whatsoever state I am, therewith to be content”, yet aware that moods shift, experiences at times flash through, and in others drag one into the slough. It’s rare that our bright flashes of happiness can be converted to a sustaining joy, also uncommon that a grief, a trauma, a general “bad event” doesn’t want to rest its weary feet in the cabin of our heart and lives […]

Album Review: Courtney Gains – Safe Haven [EP]

Aside from co-starring in my second favorite horror film of all time (more on that in an upcoming interview), COURTNEY GAINS has realized a dream that a very small percentage of actors and musicians see come to life – that of working in his chosen field for nigh on four decades. If the name doesn’t ring a bell, look, there’s this fancy schmancy “internet” thing. You’ll recognize him. But this here’s about the music so, as the Looney Tunes theme song says, “On with the show, this is it!”. ‘Safe Haven’ begins with a guitar phrasing that blends surf tone […]

Album Review: Ringworm – Seeing Through Fire

Ah, Cleveland. Land of the Cleves, of the burning Cuyahoga, Drew Carey, and a pretty thriving music scene that’s always slithered along under mainstream media’s radar. No Athens, no Seattle, no East Coast/West Coast rivalries. Just a buncha bands out there, hitting the bricks every weekend in your local clubs, biker bars and basements. Near chief among them is RINGWORM. By now, anyone who’s heard them knows what they’re about, and those who don’t won’t ever. While they’re not the sort of band that’s going to veer too far from the black-and-blueprint of The Promise (1993) and 2001’s Birth Is […]