ALBUM REVIEW: DEATH WOLF – IV: Come The Dark
After leaving behind its obvious MISFITS/SAMHAIN tribute work as DEVILS WHOREHOUSE and rechristening itself DEATH WOLF in 2011, the band got down to the business of – while maybe not entirely turning its back on its initial sound – creating its own persona, which has worked to varying degrees of success over the last three albums. Now, roughly five years after III: Ostergotland, DEATH WOLF leaves behind Century Media, returning Blooddawn Productions to its original home under the Regain Records banner. ‘He Who Hates’ kicks things off, and I do mean kicks, hard-charging and menacing, easily the best opener on […]