Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

Album Reviews

ALBUM REVIEW RATING SCALE:
**Please note that this rating scale serves as a reference for albums reviewed prior to 2023.
Numbered ratings will not be added going forward, in hopes that the writer’s impression of the work will suffice.
It will have to.** 

6 – Rarely bestowed. An honor reserved for undeniable classics (or those that should be). The Apex Predator.
5 – Impressive.
4 – Worthy of special recognition.
3 – A solid effort.
2 – The participation trophy.
1 – These are the albums that the 2s beat up on the way home from school.
0 – A waste of both our time and yours.

Album Review: QAALM – First Light Of The Last Dawn [EP]

QAALM arrived seemingly from nowhere in 2022, a quintet who kicked up its share of interest with debut Resilience & Despair. Now trimmed to a three-piece (Family Size to Snack Size…maybe I’m just hungry…), drummer Dave Ferrara and guitarist/vocalist Henry Derek join forces with guitarist Minsu Dylan Kim to “usher in” what purports to be “a new era” for the band. A droning intro, populated by sparse fingerings and even more spacious bass, QAALM never in the greatest rush to get anywhere. This can harm some bands more than help, as a good many just don’t know how to give […]

Album Review: Brazen Tongue – Of Crackling Embers & Sorrows Drowned

‘The Weight Of Self’ suffers from a more lightweight guitar tone than the style demands, session drums of Kevin Paradis busy as all Hell, but somehow coming across as laid down after too few listens to the scratch tracks sent ‘cross the pond to result in anything he’s emotionally involved in. Vocalist/guitarist/synth-ist (synthesizerist? synther?) Scott Skopec has a fine death delivery, no doubt heavily influenced by the other guitarist – and only other actual member – Ethan Gifford’s Gothenburg surroundings, and both ‘Metaviral’ and ‘Walking The Parapets’ wave proudly the flag of G-burg’s melodic death past both in arrangement and […]

Album Review: Ascalapha – Somber Vampyric Night

Does the world need another bedroom black metal “band”? Turns out, “need” or not, we’ve certainly had far worse than ASCALAPHA foisted upon us. ‘Dark Moon’ slowly begins her westward arc, tasteful and tunefully caressing the sable half-dome of the night, belying the grim subject matter, the resignation to the end. Lyrically, we find Monstro – and thus, ASCALAPHA – to be sparse, more a collection of handfuls of water (tears?) from life’s cold stream than traditional rhyme, which then affects the musical form; no “verse-chorus-verse” here. After a ‘Ceaseless Drought’, we stride the ‘Nameless Path’, filled more of determination […]

Album Review: Castle Rat – Into The Realm

There’s getting to be so many cosplay metal bands around now that it’s almost a rarity to see a band with no image. CASTLE RAT goes all-in on the dress-up aspect, but in a pretty low rent way, with very home-made looking get-ups good for a quick trip to the RenFaire. Almost all of this band’s interest is going to center around the statuesque Red Sonja-looking frontwoman the Rat Queen aka Riley Pinkerton. With chain mail brassiere, thigh high boots and an enormous mas of red curls, she cuts a striking figure without a doubt. Is the music any good […]

Album Review: Huntsmen – The Dry Land

‘This, Our Gospel’ leads off HUNTSMEN’s third, swirling scales and surrounding sonics until the psychedelia the band has toyed with before is ushered into the forefront with chanted refrain and off-kilter meter. Then, sadly, not even three minutes in, we’re back in typical post-gaze-whatever-land, where we stay for the remainder of this 8+-minute opener. Sure, there are moments that pique the interest, but they’re brief and peripheral, a grasp too light to hold the attention; vital when you’re dealing with any style, but this one most especially. Digressionary from the start, ‘Cruelly Dawns’ repeats the pattern, an appealing vocal melody […]

Album Review: Alarm! – Alarm!

There’s just something about Swedish hardcore/punk that stands apart from any other movement. From ANTI-CIMEX to Mob 47 to the ‘90s crust influences of SKITSYSTEM and DISFEAR, it just hits different. The members of ALARM! have pedigree up the wazoo but, refusing to rest on the laurels of their past (bands such as VICTIMS and OUTLAST), the foursome has crafted a brief but boisterous album in Alarm!. A tellingly ominous bass/drum opens up ‘Into The Dark’, and when I say “opens” up, I mean “sonically eviscerates”, all speed and high register screams/spits. Not slowing down for ‘Alerta!’ (which I think […]

Album Review: Julie Christmas – Ridiculous And Full Of Blood

Fourteen years after the laudable debut from JULIE CHRISTMAS, The Bad Wife, she of the many projects and of the many voices returns with Ridiculous And Full Of Blood. With a backing band is composed of members from CULT OF LUNA, CANDIRIA and KENMODE (as well as others), ‘Not Enough’ begins, tribal, percussive and ritual, a “calling up” of spirits before drifting into trip-hop/electro momentarily, more reminiscent of the singer’s past than much found here. Tom Tierney’s ever-present keys take the lead for much of ‘Supernatural’ cementing, as they will come to throughout Ridiculous And Full Of Blood, how much […]

Album Review: Saltpig – Saltpig

‘Satan’s War’ is lo-fi ‘70s CROW and ICECROSS worship, yet that’s not to say the sound is thin or otherwise deficient; rather, the rough ‘n’ ragged mix adds to the draw in this age of even “occult” bands sounding fresh off the factory floor at Baphomet-Mart. When the song builds and builds…and builds to a rousing climax, you know the duo are both worshippers and students of the craft. A boogie-type riff and blues rhythm form the backbone of ‘Demon’ Fabio Allesandrini destroying preconceptions and displaying himself as not only a competent but sonically interesting drummer out from behind the […]

Album Review: The Antikaroshi – L’inertie Polaire

“Those” labels are few and far between; the ones where – even if you don’t vibe completely with everything about a band or album – you can, at the very least, respect the artistic endeavor, the honesty of the work itself. Germany’s Exile On Mainstream has long been one of those, which makes me even more reluctant to admit that L’nertie Polaire will be my introduction into THE ANTIKAROSHI, six albums into its discography. Truth, though. That’s what ya get here. Inspired by/interlaced with concepts described in the Paul Virilio tome sharing this title, L’inertie Polaire opens, moving forward with […]

Album Review: Ufomammut – Hidden

If you’re looking to take a chemical vacation, there’s no better band than Italy’s UFOMAMMUT to provide a soundtrack for your trip. Some might consider that statement frivolous, but I stand by it. These guys have a groove so heavy that even GOD would be spacing out to it. 2024 marks 25 years for this mega-heavy band and Hidden is a fitting landmark. Holy Timothy Leary, but this thing is THICK! I’ve heard dirty bass sounds in my time, but this takes the ever-lovin’ cake. Even in comparison with UFOMAMMUT’s prior work, this is totally abyssal. It almost doesn’t need […]