Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

Album Reviews

ALBUM REVIEW RATING SCALE:
**Please note that this rating scale serves as a reference for albums reviewed prior to 2023.
Numbered ratings will not be added going forward, in hopes that the writer’s impression of the work will suffice.
It will have to.** 

6 – Rarely bestowed. An honor reserved for undeniable classics (or those that should be). The Apex Predator.
5 – Impressive.
4 – Worthy of special recognition.
3 – A solid effort.
2 – The participation trophy.
1 – These are the albums that the 2s beat up on the way home from school.
0 – A waste of both our time and yours.

Album Review: Somnuri – Desiderium

SOMNURI from Brooklyn, NY play an interesting amalgam of sounds on this, their third full length album. A good deal of what they play is raw, angry sludge music with hellacious tortured vocals, but mixed with a much more melodic kind of tuneage that’s a lot like prime 90s grunge. The vocalist Justin Sherrell is a remarkably versatile singer, who runs the gamut from rasping troll-like screeches to almost Eddie Vedder-sounding clean vocals…and all points in between. On top of that, he’s also the guitarist for SOMNURI, so he is very much the focal point for the band. The contrast […]

Album Review: Nuclear Dudes – Boss Blades

My first experience with NUCLEAR DUDES was ‘Concrete Cage/Abandoned’ from last year’s tribute to HIS HERO IS GONE, Monuments To Arson. While not so jagged as the original, ND founder and solo (most of the time) member Jon Weisnewski of SANDRIDER and AKIMBO managed to put his own spin on a sludge/crust/doom “classic”, if there ever were such a thing. With that being said, whatever you think NUCLEAR DUDES’ first full-length is, it isn’t…or it is in some spaces, but definitely not easy to pigeonhole. Synth stabs ala some amphetamine-jacked Keith Emerson are peppered through ‘Boss Blades’, but the presence […]

Album Review: Xasthur – Inevitably Dark

So, one of the strangest touring packages I’ve seen in a good while was WINO & XASTHUR a few years back. Granted, gone were all elements of black metal from what Scott Connor and his guitar compadre, Joe Baker were doing there, at that dive bar in Nashville, TN, so maybe it wasn’t that outlandish after all. All he needed was a cowboy hat, right? Well, over XASTHUR’s set, I was reminded of what a good guitarist he actually is. And now, a few years after, Connor returns with the sprawling Inevitably Dark, recorded solo and on a Tascam DP-03. […]

Album Review: The Sigil – Argante [EP]

What a pleasant surprise this EP is! If you’re a fan of proto-metal/retro rock, this Swedish band is not to be missed. They could definitely be lumped in with the “occult rock” category, but I feel the songwriting and production is better than most of that ilk. The five tunes here are genuinely well crafted and should appeal to fans of diverse acts like JETHRO TULL, BLUE ÖYSTER CULT, OPETH, ALAN PARSONS PROJECT and URIAH HEEP. The sound is organic hard rock from the heart of the ’70s. ‘The Shape of Shadows’ starts things off with a driving, guitar-oriented tune. […]

Album Review: Vulture Industries – Ghosts From The Past

Norway’s VULTURE INDUSTRIES has been a case of quality over quantity from its inception, so we’ll forgive them if it takes a year, or three, or four between albums. Swimming just beneath the surface, it seems, in the ocean that is prog-infused metal without going full-bore into unabashed wankery, the five-piece has never gotten its due, at least from where this fellow sits. And now, six (count ‘em!) years after the stellar Stranger Times, the band return with Ghosts From The Past. ‘New Lords Of Light’ shines, elements of SENTENCED, GREEN CARNATION and, yes, LACRIMAS PROFUNDERE, a heady blend of […]

Album Review: Oxblood Forge – Cult Of Oblivion [EP]

The blend of stoner and doom is hard to get right, even more so when bands task themselves with (or come by it naturally, which is best) tossing some traditional heavy metal into the cauldron to kick the concoction up a few notches. Boston’s OXBLOOD FORGE is one of those, and Cult Of Oblivion follows its first full-length showing, Decimator of 2021. Instantly I’m not fond of Ken MacKay’s vocal approach, but I’m equally unsure if it’s due to my setting expectations prior to listening, or if his shout/bellow/screech delivery would be truly better suited to a more aggressive style. […]

Album Review: Liquid Flesh – Dolores

Talk about a dark horse coming out of nowhere…that’s just what we have with this band from Grenoble, France (hometown of Andre The Giant, by the way). This is thinking man’s death metal of the first order, superbly played and recorded and, most importantly of all, something new that hasn’t been done to death like 90% of the death metal being released these days. This thing is loud! The opening chords of ‘Urbex Macabre’ hit like hammer blows, huge and vast in impact. The whole album comes across with the same force and clarity. It’s hard to nail down exactly […]

Album Review: Dead Heat – Endless Torment [EP]

Ahh, crossover. That glorious, sweat ‘n’ stale beer-drenched alliance unexpectedly created by streetwise hardcore kids who became better musicians and suburbanite headbangers who wanted to add a bit more groove to the rapid-fire riff onslaught of thrash. And when your first album ends with a CRUMBSUCKERS cover, it’s clear you know your history. So let’s see what ya got, DEAD HEAT. ‘Endless Torment’ begins with a keyboard intro that lasts about 40 seconds and is, therefore, 40 seconds too long, but rest assured that once this Oxnard, California four-piece gets going all is forgiven. A more outright thrash attack during […]

Album Review: Blodulv – I, II, III – Burial

The early ‘00s were a time of sonic upheaval in black metal. Tectonic plates were shifting, stars were realigning into some configuration never dreamt of by black metal’s originators, and likely never intended by the 2nd Wave of the early ‘90s. EMPEROR silenced its existence for a time with the uber-progressive – and final – studio album, Prometheus: The Discipline Of Fire & Demise, France’s BLUT AUS NORD would drop The Work Which Transforms God in ’03, and ENSLAVED released the still-divisive Below The Lights. Into this shift strode BLODULV. With albums simply titled I, II and III – Burial, […]

Album Review: Cloak – Black Flame Eternal

Having seen the Atlanta quartet open for IMPERIAL TRIUMPHANT in what amounts to a shoebox with a bar inside earlier this year, I can vouch that CLOAK’s “is it black/death or death/black” hybridization does carry over well into a live setting. To be honest, I’ve never “gotten” the WATAIN comparisons, as, musically, CLOAK has more clarity while managing to haunt – and thus far thrive in – the shades beyond dark and light, good and evil when it comes to lyrical fare. Striking hard and early the anvil of the search for enlightenment, ‘Ethereal Fire’ ignites, the band sounding full-bodied […]