Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

independent

Album Review: Deliria – Phantasm

Birthed in 2017, DELIRIA had the misfortune of coming into being shortly after the “post-black metal” (I will never understand that term) dam had burst, unleashing a saddened, craft beer-sipping, beard-grooming, horde of L.L. Bean-wearing DEAFHEAVEN fans masquerading as shoegaze devotees into the gene pool. Thankfully, Nausea had enough going for it to pass as more than Muzak made for immersing yourself in during your time at the local Whole Foods Market, and thus…Phantasm. ‘Smoke & Mirrors’ wants to shimmer its way into your consciousness, but there’s just something about the tone of this guitar that’s annoying from jump. Blessedly, […]

Album Review: Sons Of Ra – Tropic Of Cancer [EP]

Instrumental. Avant-Jazz. Fusion. Well, there are three words that sound to these Luddite ears like a recipe for disaster. While I’ve become very intrigued of late with the idea that what most would term “background music” can actually make for a worthwhile listen and fill a space, most times it’s just sonic clutter, and I’m going to hard pass on that alone. Add “Avant-Jazz” and “Fusion”, and I’m truly already wondering why I bothered. Maybe it’s that Jazz has (until very recently) always come across as some inside joke played by the performers to stroke their own already-inflated sense of […]

Album Review: Ischemic – Condemned To The Breaking Wheel

This Canadian band definitely has the potential to make some noise in the burgeoning death-doom scene. They’ve added a couple of members since their last effort and now exist as a 5-piece. I’m glad to see they still have Necro-Nurse Isabelle grumbling and rasping for them. She’s one of the heaviest female vocalists in the scene. ISCHEMIC have matured a lot since their self-titled LP. The sound here is cleaner and more varied…not as sludgy yet still extremely heavy. You sure won’t feel like partying and cruising for chicks after hearing this mournful monolith of sound. Four lengthy tracks are […]

Album Review: Hands Of Goro – Hands Of Goro

‘Prince Of Shokan’ kicks off (and out) the jams on HANDS OF GORO’s self-titled debut here, replete with ‘70s rawk riff glory and pulsing rhythms. These three ain’t no spring chickens when it comes to bringing this sort of thing to the party, members of neo-classic metallers SLOUGH FEG, doomhounds SPIRIT ADRIFT and blackened NITE comprising the crew here. “Metal” is the operative word here, from the fast-paced ‘Demonizer’ to ‘Uncanny’ with its NWOBHM gallop (SAXON, Di’Anno-era IRON MAIDEN). The psyche-progrre-delic freakout of ‘21st Century Plague’ manages to slam some proto-punk into the mix as well. Think THE SWEET’s ‘Ballroom […]

Album Review: Black Absinthe – On Earth Or In Hell

BLACK ABSINTHE was born a little over a decade ago, yet On Earth Or In Hell is only its second full-length. While not necessarily a cause for concern, this will be a sure test of the sophomore slump most bands experience on their second release. ‘Dead Queen’ begins with a snappy riff/rhythm combo, but it seems a bit overproduced for the heavy metal/punk hybrid the trio is shooting for. Still and all, Cerre’s vocals are like a less hammered Lemmy, the mix is full, and none of the instruments are muscling the others out of the way, so let’s call […]

Obsidian Tongue – The Stone Heart [EP]

OBSIDIAN TONGUE weaves into ‘The Stone Heart’, and we, standing in a clearing while gazing toward the shimmering line of grey rain that falls steady, sure on the border with the surrounding forest. The storm shifts, turns inward, closer, then enters us, wreaking havoc. Suspended yet descending slowly, ‘Winter Child’ is ache and melancholia, yet a stark look at the flesh and eyes that gaze back at one from the mirror of truth – unfoolable and unforgiving. Amid the droning vocal harmonies and harsh howl, we bow, scrawling our destiny on frozen ground. Instrumental ‘Bear At The Tree Of Light’ […]

Chupacabra – Fortified With Ashes [EP]

Bristol’s CHUPACABRA fans the embers to…well, wet ash with ‘Burn The Clowns’, a clone of Angela Gossow-era ARCH ENEMY’s weakest material. The mix is too cluttered to single out any instrument, even if I wanted to, and leading into ‘F.T.T.D.’. I’m not sure where I’ve heard that opening riff before (I have. Definitely. And I believe it’s off MASTODON’s Leviathan. If so, shame the fuck on you.), but the solo at the start ain’t half bad. Soon enough we’re back in the bog, a jumbled mix and nothing remarkable whatsoever aside from a repeat of the song that came before. […]

Album Review: The Sigil – Argante [EP]

What a pleasant surprise this EP is! If you’re a fan of proto-metal/retro rock, this Swedish band is not to be missed. They could definitely be lumped in with the “occult rock” category, but I feel the songwriting and production is better than most of that ilk. The five tunes here are genuinely well crafted and should appeal to fans of diverse acts like JETHRO TULL, BLUE ÖYSTER CULT, OPETH, ALAN PARSONS PROJECT and URIAH HEEP. The sound is organic hard rock from the heart of the ’70s. ‘The Shape of Shadows’ starts things off with a driving, guitar-oriented tune. […]

Album Review: Merlock – Onward Strides Colossus

After an EP that was released just as a worldwide pandemic began tightening its grip, as well as a debut released in the throes of same, I was interested to see what a “post-pandemic” MERLOCK would deliver. And thus, Onward Strides Colossus. ‘Sovereign Throne’ eases us in, watery, fluid and floating, psychedelic in the way so many of the post-whatever crowd attempt, but it’s evident here, and natural. Blues-ridden, moving to a trot at around the halfway point, when I’d like to have seen the earlier given a chance to develop more color. One thing that’s always been true about […]

Album Review: Forever Autumn – Crowned In Skulls [EP]

Massachusetts forest-dweller Autumn Ni Dubhghaill emerged from the cocoon years of 2004-’08 by, against expectation, harkening back to an older, more ancient time with her art. Rustic, simpler, almost agrarian in execution, Waiting For Öktober was sparse, that new-formed, black-winged butterfly clawing through and out of an enclosure, unsure but committed. Three albums and an EP have followed – including 2021’s black metal scorcher Hail The Forest Dark – to today, where FOREVER AUTUMN returns to folk-seasoned doom (or is it doom-seasoned folk?) with Crowned In Skulls. Assisted by mainstay cellist/foil Jon McGrath throughout and revisited by Aaron Stainthorpe of […]