Rebel Extravaganza

Heavy Metal And Other Occasional Musics And Cultures

2024

ViOS – SlaveForm [EP]

While the words “progressive instrumental metal” often cause a nervous tic when first heard together, that’s what Steve Lewis is on about with his ViOS project. ‘Druj’ captivates from the start, as if NEVERMORE had made more use of keyboards, or PENAL COLONY had made more of guitars. TRIBE AFTER TRIBE percussion, and time signature leaps that actually make sense. More accessible on its face, ‘Abort’ is no less interesting, and the beauty of what’s on offer here is that it wasn’t written for vocals, enabling Lewis true free rein. ‘Saturation’ breathes out sonic cosmology, quite darkly alluring. I’m not […]

Album Review: Julie Christmas – Ridiculous And Full Of Blood

Fourteen years after the laudable debut from JULIE CHRISTMAS, The Bad Wife, she of the many projects and of the many voices returns with Ridiculous And Full Of Blood. With a backing band is composed of members from CULT OF LUNA, CANDIRIA and KENMODE (as well as others), ‘Not Enough’ begins, tribal, percussive and ritual, a “calling up” of spirits before drifting into trip-hop/electro momentarily, more reminiscent of the singer’s past than much found here. Tom Tierney’s ever-present keys take the lead for much of ‘Supernatural’ cementing, as they will come to throughout Ridiculous And Full Of Blood, how much […]

Album Review: Saltpig – Saltpig

‘Satan’s War’ is lo-fi ‘70s CROW and ICECROSS worship, yet that’s not to say the sound is thin or otherwise deficient; rather, the rough ‘n’ ragged mix adds to the draw in this age of even “occult” bands sounding fresh off the factory floor at Baphomet-Mart. When the song builds and builds…and builds to a rousing climax, you know the duo are both worshippers and students of the craft. A boogie-type riff and blues rhythm form the backbone of ‘Demon’ Fabio Allesandrini destroying preconceptions and displaying himself as not only a competent but sonically interesting drummer out from behind the […]

Album Review: The Antikaroshi – L’inertie Polaire

“Those” labels are few and far between; the ones where – even if you don’t vibe completely with everything about a band or album – you can, at the very least, respect the artistic endeavor, the honesty of the work itself. Germany’s Exile On Mainstream has long been one of those, which makes me even more reluctant to admit that L’nertie Polaire will be my introduction into THE ANTIKAROSHI, six albums into its discography. Truth, though. That’s what ya get here. Inspired by/interlaced with concepts described in the Paul Virilio tome sharing this title, L’inertie Polaire opens, moving forward with […]

Album Review: Ufomammut – Hidden

If you’re looking to take a chemical vacation, there’s no better band than Italy’s UFOMAMMUT to provide a soundtrack for your trip. Some might consider that statement frivolous, but I stand by it. These guys have a groove so heavy that even GOD would be spacing out to it. 2024 marks 25 years for this mega-heavy band and Hidden is a fitting landmark. Holy Timothy Leary, but this thing is THICK! I’ve heard dirty bass sounds in my time, but this takes the ever-lovin’ cake. Even in comparison with UFOMAMMUT’s prior work, this is totally abyssal. It almost doesn’t need […]

Cathari – It Will Hurt The Entire Time You Are Alive

‘Philadelphia’ is a steamroller bristling with railroad spikes and vitriol, while ‘It Will Hurt’ is the relentless rage of a parking lot fight. Where the track – and this quartet – wins overall, though, is the shifting from the band’s doomed roots into the jagged realm of Hydra Head Records and Tortuga Recordings ala KEELHAUL and THE GERSCH without losing themselves in the process. ‘Weight’ is neither catharsis nor purge, more a failed exorcism of the doubt and mistrust brought on my disappointment in self and others, yet somehow, it’s healing to know you’re not the only one. Noise as […]

Album Review: Noroth – Sacrificial Solace

Seattle’s NOROTH returns for it’s third attempt at sonic obliteration after the solid “enough” It Dwells Among Us of 2021 and the following year’s even more weighty Harbinger. After a brief intro, ‘Black Serpent’ begins with all the subtlety of a cage match with a six-legged goat on bath salts who also happens to think you fucked his girlfriend. It’s that level, yes; a bit of HELLHAMMER groove to the riff in spaces, but always head down, always onward. ‘Symphony Of Decay’ is more straight-ahead death metal in execution but loses none of its energy or enjoyability for its simplicity. […]

Halcyon Way – Night Crawling [EP]

ProgPower USA hometown boys HALCYON WAY return with… Okay, I understand no one wants to hear another version of ‘Smoke On The Water’, but a MILEY CYRUS cover? ‘Night Crawling’ reeks of THEATRE OF TRAGEDY’s techno dreck, tossing in a bit of ‘White Wedding’ for extra tee hee hees. ‘Insufferable’ lives up to its name, everything from jumpdafucup moments to MOTLEY CRÜE’s Generation Swine to DRAGONFORCE-Lite (if you can believe that) gets a run-through. It’s only with ‘Stand For Something’ that the HALCYON WAY we know and appreciate allows us a glimmer of hope for upcoming material. Even for an […]

Album Review: Belushi Speed Ball – Stellkira

It was my sometimes drinking buddy Johnny Vomit who first made me aware of these guys. Goofy ass crossover thrashers from Louisville, KY armed with a wild stage show, numbskull lyrics and…best of all…sizzling thrash riffs to turn your spine to jelly! Having never seen them live, I can’t speak to that part of their repertoire, but when I saw song titles like ‘Garth, Let My Family Go’, ‘My Favorite Color Is Pizza’ and ‘Tater Tot Eyes’, I got some uneasy flashbacks to the metalcore of the early 2000s, which wrote the book on idiotic “ironic” song titles. Well, BELUSHI […]

Di’Aul – EP II [EP]

‘Azazel’ is wrapped in the fuzz for which DI’AUL has been known, the band moving at a plod, yet managing to keep from walking so slowly as to fall on its face. The “solo” is less an actual solo than a few notes wrung out from the consistent rhythm-based riffs. Tasteful, minimalist, and fitting the song. Continuing the measured gait, ‘Golgotha’ hefts itself forward only by sheer force of will, but we find DI’AUL becoming more adept at using the open spaces that seemed to be filled with nothing in its early output. With as many EPs as full lengths […]